WHITE WINGS

Sailing, seduction, and family secrets over three generations of women keep things lively for the most part in ex-priest Montague's hefty first novel, but they fall short of providing an unqualified success. Young art teacher Matthew moves to Marblehead, Mass., looking for adventure, but is quickly in over his head when he stumbles on a wrecked wooden sailboat in a garage. It isn't for sale, but Matthew attempts to sweet-talk Taylor, its owner, and begins to research the boat's history, which, it turns out, is complex, mysterious, and romantic. Taylor tells him what she knows of the boat's unusual past: Her mother Becky sailed it from the onset of WW II until she went out in a storm in 1972 and never came back— the boat was found wrecked on the rocks at the mouth of the harbor. With missing pieces of the family saga supplied by Becky's closest friend, Taylor and Matthew learn of Becky's marriage to a flyboy who volunteered to serve in the RAF, then, in his absence, of her attraction to an Episcopalian priest-to-be, with whom she sailed frequently. Ousted from Marblehead as too ardent a supporter of Jewish refugees, the future priest goes to the Pacific as a military chaplain, leaving Becky the boat but not knowing he's left her pregnant as well. He is captured and reported dead, while Becky's husband dies in action; she's left with a child whom she passes off as legitimate, never telling her daughter about her real father. But father and daughter's paths cross when Taylor, as a young woman, goes to live in Japan. That contact, along with all the other information Matthew and Taylor assemble, allows the pair finally to figure out how the boat came to be wrecked. Some heat but not much sizzle, along with a few nagging loose ends. Even so, an artful, pleasant read, tailor-made for the beach, where surf and salt air can provide complementary distractions.

Pub Date: July 15, 1997

ISBN: 0-525-94303-X

Page Count: 480

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1997

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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