Cheers for Luigi.
Luigi isn’t the biggest or strongest boy in his city neighborhood, but he is most certainly the fastest.
Summer on Philadelphia’s Regent Street means enjoying barefoot racing, a favorite activity, possibly unique to the neighborhood. Children race each other endlessly, and Luigi is the acknowledged and unbeaten champion. When Mikey Muldoon, a kid from another neighborhood, loses to Luigi, he is angry in defeat and proposes another contest, this time against his unnamed best friend. The anticipation turns to disbelief and shock when Mikey’s best friend turns out to be everyone’s worst nightmare, Mean Max, who is so scary he doesn’t even appear in the illustrations. A terrified Luigi will not go back on his word, and the race is on. It is very close, with first one then the other in the lead. And the winner is Luigi. He has beaten the fiercest opponent of all, but the race spawns a new rule, one that will have readers wondering whether this really happened, or is it a tall tale? Paley sets a breathless pace that keeps readers guessing. The tale is told by a nostalgic witness, and it captures a strong sense of neighborhood pride. Boyd’s bright illustrations move right along with the action and depict a multicultural community from a variety of panoramic and close-up perspectives. An afterword tells of the author’s Philadelphia childhood and provides information about tall tales.
Cheers for Luigi. (Picture book. 4-9)Pub Date: Oct. 8, 2015
ISBN: 978-0-88448-397-7
Page Count: 32
Publisher: Tilbury House
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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