by Dan Porat ‧ RELEASE DATE: Nov. 2, 2010
A remarkable work and an essential document in the vast library devoted to the Shoah.
A moving scholarly detective story that hinges on an iconic photograph from the Holocaust.
Porat (Holocaust Studies/Hebrew Univ. of Jerusalem) writes that “it is the responsibility of a historian to narrate photographs with analytic rigor, even while retaining, and indeed deepening, their immediacy and meaning.” He succeeds admirably in his critical evaluation of the photograph, taken during the destruction of the Warsaw Ghetto, which depicts an eight-year-old boy, hands raised, his face a study in fear and terror. To his right, a young woman, hands also raised and apparently at the head of a column of prisoners, looks at him with concern, while behind him, a Nazi soldier keeps a rifle at the ready. In an exemplary campaign of research, the author doggedly pursues their stories, as well as those of the man behind the camera and the official who ordered that these images be made. The last was a Nazi SS officer named Josef Stroop, once an aimless World War I veteran, then a Nazi true believer, who kept a careful, ornately bound chronicle of his actions on the Eastern Front. Even Nazi leader Alfred Jodl condemned the excess: “The dirty arrogant SS swine! Imagine writing a 75-page boastful report on a little murder expedition, when a major campaign fought by soldiers against a well-armed enemy takes only a few pages!” The photographer also found his calling in the SS, as did the guard with the rifle, a sad sack who was initially appalled at the work of the death squads but soon shed his scruples. Each of the Nazis was executed in the years following the armistice, and only a few of the Jewish figures survived the war, which they carried with them forever.
A remarkable work and an essential document in the vast library devoted to the Shoah.Pub Date: Nov. 2, 2010
ISBN: 978-0-8090-3071-2
Page Count: 304
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: Sept. 21, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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by Dan Porat
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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