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IN THE HAMPTONS

MY FIFTY YEARS WITH FARMERS, FISHERMEN, ARTISTS, BILLIONAIRES, AND CELEBRITIES

Redolent of saltwater and printers’ ink—perfectly suited for comfortable days at the beach.

An intrepid guide to native life in the fabled Long Island utopia offers a memoir of a half century spent tracking its inhabitants as proprietor of the Hamptons’s newspaper of record.

Well-known to the beautiful people and old timers of resort villages from Shinnicock to Montauk, the weekly Dan’s Papers (probably the nation’s first free newspaper) reports the doings of literary lions, blue bloods and red bloods. Though he now has a staff to do most of the work, for years Rattiner set the type, snapped the photos, wrote the stories and, he gleefully admits, when news was slow invented something entertaining. Here, he tells a few tales of porgies, fluke and blackfish, then moves on to the bigger fish swimming around former potato farms now flooded with rich and infamous painters, writers, performers and patricians. From the depths of his files Rattiner draws names like Cavett, Plimpton, Steinbeck, Pollock, Warhol, de Kooning, Billy Joel and Richard Nixon. Read about the building of his father’s corner pharmacy, movies made just down the street, impossible young love, seasonal liaisons and East Hampton’s annual Artists and Writers Baseball Game, guest-umpired in 1988 by Gov. Bill Clinton. Geographic highlights include private clubs, local bistros, Sag Harbor’s garbage dump, a historic lighthouse and a pond with imaginary monsters. Bucolic concerns and innocent gossip are guilelessly interspersed with business and beach news. Publisher-editor Rattiner may not be the East Coast’s answer to William Allen White, but he’s quite good-natured. If his idylls of the idle rich and a few storekeepers seem a tad pedestrian and of only slender human interest, he is nevertheless an avuncular chronicler offering a pleasant enough walk in the sun.

Redolent of saltwater and printers’ ink—perfectly suited for comfortable days at the beach.

Pub Date: May 1, 2008

ISBN: 978-0-307-38295-5

Page Count: 352

Publisher: Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2008

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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