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WE ARE THE GOLDENS

Reinhardt’s skillful exploration of the dynamics of sibling relationships and truly inventive narrative structure shine a...

Nell’s discovery of her sister’s secret tests the powerful emotional bond between them.

When Nell starts high school in San Francisco, she plans to follow in the footsteps of her near-perfect sister Layla, whom she loves with a devotion that approaches adulation. Up till now their lives have been intertwined, particularly since their parents’ divorce, but Layla is becoming distant. At first, Nell brushes off rumors that Layla’s in an inappropriate relationship with City Day’s young art teacher, but Layla’s secretive behavior can’t help but attract suspicion. In a blend of first- and second-person, past- and present-tense narration, Nell addresses her sister directly, spilling out her thoughts as she prepares to confront Layla and bring the secret out into the open. Nell’s inner dialogue with two boys, brothers who died within a year of each other, is convincing as a framework for Nell to process the truth, while her best friend, Felix, provides real-life emotional support. Along the way, readers are kept in suspense about Layla’s whereabouts, although the ending is somewhat anticlimactic. In the end, the story feels rather ordinary—as so much of life is.

Reinhardt’s skillful exploration of the dynamics of sibling relationships and truly inventive narrative structure shine a light on the ordinary struggle of growing up. (Fiction. 12-15)

Pub Date: May 27, 2014

ISBN: 978-0-385-74257-3

Page Count: 208

Publisher: Wendy Lamb/Random

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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ONCE A QUEEN

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.

A portal fantasy survivor story from an established devotional writer.

Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)

Pub Date: Jan. 30, 2024

ISBN: 9780593194454

Page Count: 384

Publisher: WaterBrook

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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THE RUNAWAY'S DIARY

A somewhat entertaining, fast-paced journey that fizzles at the end.

A teenager runs away to Seattle, hoping to locate her missing sister.

Fifteen-year-old Eleanor idolizes her older sister, Sam, despite their being complete opposites: Sam is outgoing and wild, while socially awkward Eleanor is known as Little Miss Perfect, always doing the right and safe thing. After Sam runs away from home, the only communication she has with Eleanor are three postcards sent from Seattle. Eleanor decides to trace her 18-year-old sister’s footsteps, leaving her messages and hopping on a bus to find her. But when Sam doesn’t meet her at the bus depot, Eleanor, who has no real plan, has to learn how to survive on her own while searching the city for her sister. While the close bond between the girls is well depicted through flashbacks, the reveal of an important secret ultimately feels anticlimactic. A major plot point relies too heavily on chance and coincidence to be fully believable. While the color scheme, cityscapes, and background illustrations are atmospheric, the manga-inspired drawing style comes across as dated and flat. The depiction of the fabricated stories Eleanor tells is intriguing, as are the themes of friendship, living in the moment, and maintaining hope; unfortunately, none are thematically strong enough to resonate. The emotional impact of Eleanor’s experiences is diluted by her at times humorous narration. Eleanor and the main cast read as White.

A somewhat entertaining, fast-paced journey that fizzles at the end. (Graphic novel. 12-15)

Pub Date: April 26, 2022

ISBN: 978-0-316-50023-4

Page Count: 280

Publisher: Little, Brown

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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