A solid story.
Sachs (If You Lived Here, 2007, etc.) takes a conventional literary device—a road trip—and uses compassion, humor and good writing to transform the journey into a memorable story.
Thirty-five-year-old artist Anna Rosenthal is surprised when she receives a call from her estranged grandmother. They haven’t spoken to each other for five years, ever since Goldie criticized Anna’s determination to marry someone she felt was not right for her granddaughter. Now, Goldie wants Anna to chauffeur her from her home in New York City to San Francisco in her vintage Rolls Royce. She claims she wants to return some artwork entrusted to her when her closest friends, of Japanese descent, were placed in an internment camp during World War II. The prints are breathtakingly beautiful and are links to Goldie’s mysterious past, revealed in flashbacks to the reader as the two travel across the continent. Since theirs is a journey of reconciliation, Anna and Goldie sling verbal spears at each other throughout the trip; but they also have tender moments when Anna believes past wounds are finally healing—until the next contentious round occurs. Anna, a widow for two years, suffers from survivor’s guilt and fears relationships that might once again result in pain and loss, so she evades a suitor’s attempts to contact her. She also resents being told by others that she’s just like her grandmother since she thinks Goldie’s unsympathetic and rigid. But Goldie, a feisty octogenarian, is a paradox: although she’s been used to the finer things in life for years, she’s perfectly happy sleeping in Hampton Inns and dining at chain restaurants as she traverses America. And though she refuses to indulge Anna in her grief, she’s unstintingly supportive of and kind to strangers, no matter their station in life. Never forget, she reminds Anna, that every person has value.
A solid story.Pub Date: Feb. 19, 2013
ISBN: 978-0-06-220103-4
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 2, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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