STAG

A retired sheriff and a former agent from the Drug Enforcement Administration team up in a remote corner of Washington state in pursuit of a psychopathic killer.

The year is 1989. Ex-cop Amos Fielding left his home in small-town Iowa following the death of his wife of nearly 50 years. He now lives “a life in suspension” on a ranch, where a horse and a mule are his only companions. One-time drug agent Dee Batey called it quits with the DEA after a horrific experience at the Mexican border, where he was shocked to discover that the swaddled babies on a bus were all dead and slit open for the smuggling of heroin. He is now a game warden. Against their will, Fielding and Batey are pulled back into the darkness when young women start turning up dead, ritualistically murdered (as we know from early on) by a twisted soul who films himself in the act. The local police chief is oddly indifferent to the killings, but the aging sleuths, who become fast friends, are able to get help from a quirky FBI agent out of Seattle. As disturbing as these crimes and this criminal are, we’ve seen them before. What sets the novel apart is the unshakable atmosphere of dread and remorse that Bahr sustains, whether the action is taking place in foreboding woods, unlit cellars, or abandoned warehouses. His follow-up to the horror-embracing The Houseboat (2022) grabs the reader with dark, poetic images, including recovering alcoholic Batey’s wish that his gardening wife “could pull out the weeds in me” and falling ashes appearing “like sheds of dead skin.” Once you’re in the novel’s grip, it’s difficult to break free.

A predator thriller with a difference, by a rising star in the field.