A busily imagined fantasy tale focused on war and with political overtones.
In this debut novel, magic and technology fuel a conflict between two sisters and the galactic empires over which they preside.
The Great War occurred 500 years ago, during which humans defeated elves, dwarves, centaurs, and other magical races for control of the known universe. The planet Carlon, home to humans and elves, is within the Grand Utopian Kingdom and ruled by the 17-year-old Princess Asora. There’s also a facility on the colony that specializes in laser technology. One day, spaceships from the Darkcon Empire arrive, delivering Queen Laxur and her monstrous army—including the werewolf Gen. Obsidian—to the planet’s surface. She hopes to seize this military target, but Asora (Laxur’s sister) and Supreme Commander Adm. Yane stand in her way. After the ensuing firefight, Laxur escapes with a briefcase full of valuable tech to Dorien, her throne world. Meanwhile on the planet Evorn, the home world of the Grand Utopian Kingdom, Asora holds a science fair to hopefully ramp up her people’s ability to combat the technologically savvy Darkcon threat. Prince S’tie agrees to visit Laxur, whom he knew years ago as the innocent Asaria. Asora hopes that Laxur’s childhood love can temper the fires of conquest that burn within her sister. Opening an eventful new series, Darcey brings numerous fantasy creatures—like mermaids, dragons, and vampires—into a far-future setting. Even angels reside here, as creators of the “divine paths” by which ships travel the stars. Concepts like lost elemental coins and a dragon prophecy, sometimes appearing like narrative gold in a sifting pan, should keep readers turning pages. Most successful is the commentary regarding gun violence, piracy, and terrorism, all of which continue to prevent humanity from maintaining a utopia among the stars long after Earth has become a myth. But the author has a penchant for lumping dialogue from multiple speakers into single paragraphs, which impedes the story’s flow. And the worldbuilding, while layered, is often loose because the author imports phrases like “right wing nut jobs” from 21st-century America. The final chapter points toward a sequel in which violence begets more violence.
A busily imagined fantasy tale focused on war and with political overtones.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Page Publishing, Inc.
Review Posted Online: Feb. 8, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
