Pretty but preachy.
Prince and knight return to take on an evil adversary.
This sequel to Prince & Knight (2018) picks up after the prince and knight’s wedding day and begins with a coronation (but, a little puzzlingly, the prince is never referred to as a king). The two men’s love “inspired everyone in sight,” but soon a “fog of darkness” descends upon the realm. Daylight disappears. The crops suffer blight. The prince gravely tells his husband, “We must face this threat tonight!” The pair consults with the kingdom’s “wise old sage,” who sends them to find the Shadow King, whose “soul is filled with rage.” After “trudging through the wilderness,” the prince and knight make it to the Shadow King’s fortress and best his army of monsters. Eventually, they reach the Shadow King and help repair the harm that resulted from his evil ways. With rich colors and cinematic sequences, Lewis’ animation-inflected art shines in this fantastical tale. Whereas in the first book knight rescued prince, the reverse happens here—a delightful counterpoint to heteronormative gender roles. Though excellent in its positive depiction of queer heroes, the book’s heavy-handed message is made worse by Haack’s awkward, rhyming text. Aside from the brown-skinned knight, the royal family presents White. Supporting characters add additional racial diversity. With the addition of the Shadow King and his squire, the story moves from tokenization toward a sense of queer community. (This book was reviewed digitally with 8.3-by-19.6-inch double-page spreads viewed at 56% of actual size.)
Pretty but preachy. (Picture book. 4-8)Pub Date: April 27, 2021
ISBN: 978-1-4998-1121-6
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Feb. 8, 2021
Kirkus Reviews Issue: March 1, 2021
BOOK REVIEW
A gentle adventure that sets the stage for future quests.
A lonely prince gains a friend for a quest to find a missing jewel.
Prince Lucas of Wrenly has everything a boy could possibly want—except a friend. His father has forbidden him to play with the village children for reasons of propriety. Adventure-seeking Lucas acquires peasant clothes to masquerade as a commoner and make friends, but he is caught out. His mother, the queen, persuades the king to allow him one friend: Clara, the daughter of her personal dressmaker. When the queen’s prized emerald pendant goes missing, Lucas and Clara set off to find it. They follow the jewel as it changes hands, interviewing each temporary owner. Their adventure cleverly introduces the series’ world and peoples, taking the children to the fairy island of Primlox, the trolls’ home of Burth, the wizard island of Hobsgrove and finally Mermaid’s Cove. By befriending the mermaids, Lucas and Clara finally recover the jewel. In thanks, the king gives Clara a horse of her own so that she may ride with Lucas on their future adventures. The third-person narration is generally unobtrusive, allowing the characters to take center stage. The charming, medieval-flavored illustrations set the fairy-tale scene and take up enough page space that new and reluctant readers won’t be overwhelmed by text.
A gentle adventure that sets the stage for future quests. (Fantasy. 5-8)Pub Date: April 1, 2014
ISBN: 978-1-4424-9691-0
Page Count: 128
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Feb. 11, 2014
Kirkus Reviews Issue: March 1, 2014
BOOK REVIEW
It’s tough to walk the plank and leave beloved captains behind; this may make the transition a little easier.
An imaginative pirate preschooler has a hard time adjusting to a new captain in kindergarten.
Not only is beloved preschool teacher Cap’n Chu not the captain of the kindergarten ship, but it doesn’t even sail the seas—it’s a spaceship! This is too much for pirate Emma to take, and she falls back to reboarding the preschool ship: “Pirates don’t go to kindergarten!” Despite repeated efforts on the parts of Cap’n Chu, new teacher Cap’n Hayes, and a fellow kindergartener, Emma continues to cling to Cap’n Chu until she gets the reassurance she needs that her former teacher will miss her too but will always be available for a visit. With that, space pirate Emma finally reports to her new ship. Kaban’s digital illustrations go to town with the metaphor, depicting school as a mix of reality and imagination: Emma swims, wooden cutlass in her teeth, back to the preschool room. Emma’s portrayed with a peg leg in one picture, and the kindergarten guinea pig’s fur makes it look like it wears an eye patch. Otherwise, the pirate trope is limited to bandannas and striped shirts. Emma presents white; the other students are diverse; Cap’n Chu presents Asian; and Cap’n Hayes has brown skin and white hair. Unfortunately, awkward renderings of her head and face may remind readers of a monkey’s.
It’s tough to walk the plank and leave beloved captains behind; this may make the transition a little easier. (Picture book. 4-8)Pub Date: Aug. 1, 2019
ISBN: 978-1-5420-9275-3
Page Count: 32
Publisher: Two Lions
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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