Affecting, lively and expertly told. Just the sort of thing to make grown-ups and teenagers alike want to unfurl the black...

WE ARE PIRATES

Life is a confused and confusing mess—but it still offers plenty of room for mischief, as Handler, aka Lemony Snicket, informs us.

When you’re a kid, you don’t know which side is up half the time. Then you grow up, and you really don’t know. So it is with Gwen Needle, who’s taken on the nom de crime Octavia (a good one, Octavia having been an exceedingly bad noblewoman of ancient Rome). It’s not that Gwen/Octavia is evil; she’s just antsy: “Twelve and thirteen she was pretty happy….Then one day boredom just set upon her with a fierceness.” She’s also penniless, since Dad, an always-pitching radio producer, is always this far away from landing a deal. Popped for shoplifting, she’s sent off to a veterans’ home to do community service. There, she meets an old coot who’s suffering from Alzheimer’s—not yet full-blown, Gwen’s warned, though the patient is given to flights of fancy and strange thefts of his own. He asks her if she’s there for a school project, and when she answers that it’s punishment, he growls, “Good, I’m glad. I don’t like the school project kids. You know you’re going to die when they come at you with a tape recorder.” Meanwhile, Dad keeps hoping the heavens will part and he’ll finally get to do something interesting with his life, like be an outlaw—a dream his daughter, it seems, is living, along with a band of merry mates, the old coot among them. Handler is a master at depicting the existential chaos all his major characters are living through, and with warmth, sympathy and considerable humor at that. The reader will delight in Gwen and old Errol's escapades, which involve plenty of jawboning but some good old-fashioned larcenous action, too, all of which affords her the street cred to say piratical things like, “You take one more step away and I’ll split your gullet” and "Totally verily."

Affecting, lively and expertly told. Just the sort of thing to make grown-ups and teenagers alike want to unfurl the black flag.

Pub Date: Feb. 3, 2015

ISBN: 978-1-60819-688-3

Page Count: 288

Publisher: Bloomsbury

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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