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THE CREATORS

A HISTORY OF HEROES OF THE IMAGINATION

From the Pulitzer-winning former Librarian of Congress—a readable but often pallid counterpart to The Discoverers (1983), examining ``how creators in all the arts have enlarged, embellished, fantasized, and filigreed our experience.'' Here, as in The Discoverers, Boorstin (Hidden History, 1987, etc.) paints a triumphal history that celebrates the march of human progress—from the Judeo-Christian tradition of a creator-God to the modernist exploration of the self in Proust, Kafka, and Virginia Woolf. Although he makes an admirable attempt to discuss Oriental and Muslim artists, most of the author's heroes are the usual stars of Western civilization: Thucydides, Dante, Shakespeare, Leonardo, Michelangelo, Bach, Dickens, Wordsworth, Eliot, and Picasso. Like Francis Parkman, Boorstin is a narrative historian who never lets ``his story become the victim of demography, sociology, or professional jargon.'' Unfortunately, despite all his empathy for these often turbulently brilliant heroes, his ``stories'' reveal little more than familiar anecdotes. Moreover, in a dismaying change from The Discoverers, Boorstin rarely explains the synergy between his subjects and their society- -for example, skipping the development of the novel between Cervantes and Balzac and thus providing little understanding of how this originally urban genre evolved. Worse still, this stepping- stone effect sometimes leaves him with only the most banal definition of an individual's landmark importance (``Beethoven was the first of the great musicians to be a public man, an advocate through his music on the issues of his time''). Boorstin's ability to connect his creators and the world that inspired and received their creations seems to have vanished. As always, Boorstin organizes his material lucidly and never loses sight of the human dimension. But, unaccountably, he has little to say here that's provocative, unorthodox, witty, epigrammatic, or illuminating—in short, there's little of the creative touch he aims to honor. (Book-of-the-Month Dual Selection for November)

Pub Date: Sept. 1, 1992

ISBN: 0-394-54395-5

Page Count: 800

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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HOW DEMOCRACIES DIE

The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics,...

A provocative analysis of the parallels between Donald Trump’s ascent and the fall of other democracies.

Following the last presidential election, Levitsky (Transforming Labor-Based Parties in Latin America, 2003, etc.) and Ziblatt (Conservative Parties and the Birth of Democracy, 2017, etc.), both professors of government at Harvard, wrote an op-ed column titled, “Is Donald Trump a Threat to Democracy?” The answer here is a resounding yes, though, as in that column, the authors underscore their belief that the crisis extends well beyond the power won by an outsider whom they consider a demagogue and a liar. “Donald Trump may have accelerated the process, but he didn’t cause it,” they write of the politics-as-warfare mentality. “The weakening of our democratic norms is rooted in extreme partisan polarization—one that extends beyond policy differences into an existential conflict over race and culture.” The authors fault the Republican establishment for failing to stand up to Trump, even if that meant electing his opponent, and they seem almost wistfully nostalgic for the days when power brokers in smoke-filled rooms kept candidacies restricted to a club whose members knew how to play by the rules. Those supporting the candidacy of Bernie Sanders might take as much issue with their prescriptions as Trump followers will. However, the comparisons they draw to how democratic populism paved the way toward tyranny in Peru, Venezuela, Chile, and elsewhere are chilling. Among the warning signs they highlight are the Republican Senate’s refusal to consider Barack Obama’s Supreme Court nominee as well as Trump’s demonization of political opponents, minorities, and the media. As disturbing as they find the dismantling of Democratic safeguards, Levitsky and Ziblatt suggest that “a broad opposition coalition would have important benefits,” though such a coalition would strike some as a move to the center, a return to politics as usual, and even a pragmatic betrayal of principles.

The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics, rather than in the consensus it is not likely to build.

Pub Date: Jan. 16, 2018

ISBN: 978-1-5247-6293-3

Page Count: 320

Publisher: Crown

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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