A wonderfully odd thriller that should delight anyone who has ever been bullied.
In this fantasy, a teen’s attempts to pull his life together become complicated by the return of his supposedly imaginary—and murderous—childhood friend.
Neil Karp is a senior at Hawthorne High in Birch Creek, Michigan. After his father undergoes treatment for lung cancer, Neil decides to quit smoking. This worries his pot-loving friends Matt and Sam, especially the latter, who’s committed to the stoner life of driving a van and all but abandoned school for video games. When Sam buys a round of drugs from a nightclub dealer rather than local bully Russel “Shit Storm” Staubach, life becomes hellish for Neil and his friends. Staubach sells drugs from stock provided by 19-year-old Jason Noakes, whose family runs Birch Creek’s gangs. During a confrontation, Neil defends Sam by pushing Staubach against Noakes’ Pontiac Firebird Trans Am. Neil and company narrowly escape in the van and now must watch their backs for retaliation. The best part of Neil’s life is Lindsey McGuire, a cute violinist he’s finally found the courage to talk to. As he continues the high-wire act of dodging Noakes and courting Lindsey, Neil notices a strange presence on the periphery of his life. At a skate park one evening, he sees a dancing shape on a nearby rooftop. This is Frogmore, a tweed coat–wearing, talking frog whom Neil knew five years ago. Frogmore appeared when bullies attacked Neil at Rawlins Pond. The ostensibly imaginary friend killed the bullies, prompting Neil to take medication to heal from the trauma. Now Frogmore is back, just when Neil and his friends need protection.
James offers a fun, psychedelic thriller that’s steeped in classic rock and teen melodrama and styled after Stephen King’s Christine and Carrie. Fans may be surprised the story is set in the present. Many genuine, grounded moments revolve around 1980s cultural touchstones, as when Lindsey plays Van Halen’s “Ain’t Talking ’Bout Love” for Neil on her violin. The novel’s antagonists toss homophobic slurs around readily—making them retro and repulsive. James rounds out most of the cast well enough for the audience to worry when Frogmore starts killing people. Sam becomes exceptionally real to readers when he admits that he smokes because “I can’t turn my brain off.” Even Noakes garners sympathy as someone with a choice between continuing a violent life and buckling down to become a car mechanic. Frogmore, meanwhile, is a tantalizing plot element from the get-go. His mysterious origin spools out carefully, threading around a subplot involving a drug chemist named Hansen “Doctor Crankenstein” Hurst, who wants to “smash through this rigid bowl of reality” placed over humanity. Frogmore explains, “My kind” are travelers, “visiting different worlds on invisible safari,” which implies hunting. The creature does indeed toy with people, making certain deaths seem accidental while implicating Neil and even growing jealous of the teen’s human friends. The author’s descriptive prose delivers a gory finale in which more than one victim is murdered by the frog’s “muscular cable-like tongue.” Hurst’s incredible drug, called Fable, burns up and blows across town in the finale, revealing the potential for a sequel.
A wonderfully odd thriller that should delight anyone who has ever been bullied.Pub Date: Feb. 20, 2021
ISBN: 979-8-71-192925-3
Page Count: 264
Publisher: Self
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: May 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tragic and grotesque romance that will enchant fans of dark fantasy and horror.
Redheaded Wyatt Westlock returns to her family’s farmhouse following her father’s death; she’s there to burn it to the ground.
But she finds Peter, her childhood friend, chained in her basement. Wyatt releases him, unaware of his secret: He’s immortal and has been ritually sacrificed by generations of members of Wyatt’s family in order to keep hellish monsters from invading our world. His only escape from the cycle of death and rebirth is to kill Wyatt, the last Westlock. Although each of them can only survive if the other dies, their unspoken love for each other keeps them locked in an uneasy truce. Without Peter’s bones, the darkness in the forest creeps closer, bringing with it terrible creatures and eldritch horrors. The couple must explore Wyatt’s own wild magic if they hope to save their doomed romance. Andrew delivers an emotionally intense story of star-crossed lovers whose story unfolds against the backdrop of an isolated farm that’s visited by terrifying birds, menacing hooded figures, and a creature that uses powers of mimicry to hunt. The farm is so vibrantly described that it thoroughly connects the characters to the setting both physically and emotionally, reflecting the bleakness of the choices Peter and Wyatt face. The rot, mold, and mildew that creep over the farm are almost tangible; so too is the longing Peter and Wyatt feel for each other. All characters read white.
A tragic and grotesque romance that will enchant fans of dark fantasy and horror. (Dark fantasy. 14-adult)Pub Date: April 2, 2024
ISBN: 9781338885071
Page Count: 368
Publisher: Scholastic
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.
The latest in a series of rereleases from a prolific fantasist’s previously self-published works is a contemporary spin on the fairytale “Godfather Death.”
Viola Marek is an aswang, a shapeshifting vampire from Filipino folklore. She’s also a Chicago real estate agent trying to sell a mansion even while the ghost of its last owner, Thomas Edward Parker IV, is doing his supernatural best to block the sale. In a desperate attempt to earn her commission, she hires Fox D’Mora, Death’s mortal godson, to use his connection to get the ghost to leave. Unfortunately, Death is unavailable: He’s been kidnapped, and to get him back and prevent a worlds-spanning catastrophe, Fox, Vi, the ghost, and assorted other supernatural creatures will have to enter a high-stakes gambling game that usually only immortals can play…but rarely win. The story begins with an unusual blend of myth, fairy tale, and cosmology and inevitably descends to an almost unbearable level of sentimentality, which is simultaneously a refreshing change from Blake’s usual tableau of self-involved, selfish characters who seem driven toward tragedies of their own making. Blake could definitely do a better job at showing the love between characters rather than merely telling the reader that they’re in love. She also has an unfortunate tendency to skip potentially intriguing bits of backstory if they don’t immediately drive the plot along, which is why readers never learn anything about Fox’s childhood and what it was actually like having Death as a parent. Nor does she explain why only two of the four archangels, Gabriel and Raphael, play outsize roles in determining the order of the cosmos, while Uriel and Michael are nowhere to be seen. Bits of anachronism—like the use of a rubber band as aversion therapy 200 years ago or the presence of a magical wristwatch from a time long before watches were common—might be intended to be Pratchett-style humor or chalked up to magic? It’s hard to tell what’s intentional and what is simply careless. Now that Blake has a traditional publisher, perhaps the editors of her future novels will guide the author to address these issues when they arise.
A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.Pub Date: Aug. 8, 2023
ISBN: 9781250892461
Page Count: 416
Publisher: Tor
Review Posted Online: Aug. 19, 2023
Kirkus Reviews Issue: Sept. 1, 2023
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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