A vigorous, visionary and steamy cybernoir crime story with a convincing far-future setting.
In this debut sci-fi novel set in the 25th century, police detective Durante Hoskin must unmask a fiendish high-tech serial killer whose crimes against the corrupt superrich threaten to spark social chaos.
Jeffries isn’t the first sci-fi writer to project a hard-boiled detective story into the future; Isaac Asimov’s The Caves of Steel (1954) wasn’t even the first such tale, nor was the film Blade Runner (1982). However, here he presents a cranked-up-to-11 vision of the mean streets of the future—a post-singularity world of para-human cyborgs, similar to that imagined by futurist Ray Kurzweil. The story takes place on a planetoid-vast, traveling “Starship Settlement,” home to a space-going culture that’s heavily class-stratified: opulent and slum-ridden, decadent and dynastic. Nearly everyone is wet-wired into online and person-to-person communication; radical body modification is routine, and centurieslong human lifespans are further boosted by “blackbox” recorders, allowing people to “relife” themselves from stored data. Yet even in this environment, a murderer at large knows how to strike stealthily through invisible oceans of security minicams, permanently kill the best protected of the elite and spread propaganda of his crimes. On the case is Hoskin, a veteran police detective who’s considered old-fashioned for his habit of physically working out instead of letting nano-bots tone his body from the inside, like everyone else does. Early on, readers get the news that the killer is Venadrik, a brilliant but psychopathic son of a prostitute, whose horrific childhood and messianic religion has set him on a mission to overturn society. Once readers acclimate to the shock of the far-future tech, the book telegraphs the trick Venadrik uses in his serial slayings rather obviously. But the momentum of the storyline and the comfortable noir genre tropes—including a sublimely seductive bad-girl heroine and a young, brash cop partner in trouble—sweep the reader along. The escalating levels of mayhem and weaponry near the end practically transform the book from a sci-fi whodunit to a military-combat action thriller. Although this tale is billed as the first installment in the author’s Age of Transcendence series, it wraps up neatly, like a stand-alone.
A vigorous, visionary and steamy cybernoir crime story with a convincing far-future setting.Pub Date: June 1, 2013
ISBN: 978-1490330723
Page Count: 310
Publisher: CreateSpace
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
