A positive and fun-filled challenge to recognize and apply the underlying principles of science in everyday life.
Furry-tailed but not furry-headed, brother and sister Newton and Curie set out to conquer their world with science.
A nearby school for humans provides all the impetus needed to discover what makes everything work. From comprehending the amazing combo of force, mass, and gravity required for playground swings to the secrets of seesaws and pulleys, the intrepid experimenters can’t get enough. They test ideas using trial and error to refine their science projects. The children’s teacher, a woman of color, introduces diagrams of simple machines to a diverse group of grade school children. The information is not lost on the spying squirrel siblings, who apply the principles to return a fallen nest of four (miraculously intact) robins’ eggs to their relieved parents’ tree. How do birds defy gravity when flying? Newton and Currie can’t wait to find out! Kirk’s simple STEAM-driven text seamlessly leads readers from one tenet of physics to another as it’s applied to common objects. Kirk’s use of the schoolroom whiteboard to educate the squirrels is a clever visual aid. The anthropomorphic characters’ clothing reflects the casual dress of the students, and the bright palette is a perfect attention-getter for the story’s targeted audience. Repeated images of simple machines cover the endpapers, and the backmatter includes an introduction to some basic laws of physics, a detailed glossary, and links to science websites. (This book was reviewed digitally with 10.5-by-17-inch double-page spreads viewed at actual size.)
A positive and fun-filled challenge to recognize and apply the underlying principles of science in everyday life. (Picture book. 5-9)Pub Date: Aug. 11, 2020
ISBN: 978-1-4197-3748-0
Page Count: 40
Publisher: Abrams
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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