A vivid account of misfortune that may elicit simultaneous admiration and squeamishness.

The Jingle Dancers Dress

Silverthorne (The Flatlands, 2014, etc.) commemorates his mother’s life by starkly depicting the abuse and addictions she suffered as well as the peace she ultimately found.

How much of Silverthorne’s work is an accurate portrayal of his mother’s life and how much is imaginative envisioning is never clarified in what may, therefore, be a fusion of fiction and biography. Darla, the narrator of her life story—although she only begins speaking in the first person in the third chapter, a shift from the third person that is unclearly artful or incidental—lies in the hospital in a “pain killer-induced haze” recalling the events of her life. She was recently stabbed by a homeless man for whom she had bought food—the first instance of Darla’s sacrificial kindness described in the narrative. The stabbing is the culmination of a lifetime of hardship, beginning with a “poor, harsh” Michigan-based childhood haunted by parental absence and alcoholism and, much more disturbingly, a horrifying incident of sexual violence. It is not the only such act to be depicted, and Darla is not the only victim in her story. Those she encounters, during both her heroin-addicted young adulthood and her subsequent career working at a treatment center, are often profoundly mistreated. Vividly characterized in all his or her idiosyncrasy, each is “another one of the guys that society simply wished didn’t exist.” Silverthorne imbues his work with striking detail; even characters who appear briefly to tell their somber stories are memorable. Part of that quality of being unforgettable, however, derives from the graphic reminiscences of characters’ victimizations, which often seem gratuitous. Not all of the gory details are needed. Their prevalence also dilutes the book’s larger plot, as the sequence of Darla’s life cedes focus to unconnected scenes introducing new characters. If the work becomes episodic during these events, it is nonetheless creditable for its attention to those with mental illnesses and addictions.

A vivid account of misfortune that may elicit simultaneous admiration and squeamishness.

Pub Date: May 7, 2014

ISBN: 978-1496111708

Page Count: 326

Publisher: CreateSpace

Review Posted Online: June 20, 2014

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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