A powerful, unflinching examination of the psychological wages of war.

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Conspicuous Gallantry

A seriously wounded soldier wrestles with the trauma and guilt that haunt him in this novel.

Sgt. Charley Cooper is a battle-hardened Marine whose life—and mind—is suddenly shattered by an IED while stationed in Afghanistan. He suffers from extraordinary burns—his body is considerably scarred from the incident, leaving him noticeably disfigured. Even worse, he’s afflicted by a debilitating amnesia, remembering very little of his wartime experiences (“He tried to see the face of his Company Commander, or Gunny Morrison but they would not materialize. He knew he should be able to see his platoon leader’s face, but the likable young, 2nd Lieutenant was gone”). This makes it nearly impossible to overcome the post-traumatic stress disorder that originates in horror he cannot confront. His wife, Annie, struggles to comfort him, but Charley withdraws into his own solipsistic paralysis, finding solace in lonely inactivity. But as the distance between them grows, and financial distress creeps in, Annie threatens to leave Charley if he can’t find a path to recovery. Charley calls his Uncle David, hoping to score some free firewood in advance of a cold Maine winter, and David comes to visit to help him log the territory. Eventually, David and Charley start a logging business together, and that purposeful labor and an experimental medical procedure help Charley chart the course back to both remembrance and self-forgiveness. Linden (The Content of Character, 2011, etc.) masterfully contrasts the defensive inwardness of both David and Charley; David has Asperger’s syndrome, and he, too, frequently retreats into the inner recesses of his mind to hide from life’s major and minor stresses. This dysfunction equips him, though, to deeply understand Charley’s tendencies, and he often remarks upon this with a bracing candor that many would not voice. David confronts challenges of his own, and the book provides flashbacks to the time he spent logging the property with his Uncle Bjorn, which helps him to assist Charley. The author’s prose, spare and direct, potently conveys the emotional angst of men not naturally predisposed to introspection. While the subject matter lends itself to a cloying sentimentality or a neat and uplifting denouement, Linden exercises admirable restraint in avoiding both. This brief work poignantly expresses the havoc combat wreaks on even the hardiest warriors.

A powerful, unflinching examination of the psychological wages of war.

Pub Date: N/A

ISBN: 978-1-5089-5211-4

Page Count: -

Publisher: CreateSpace

Review Posted Online: Feb. 3, 2016

Kirkus Reviews Issue: March 15, 2016

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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