Butterflies are pretty, light, and charming; this book, not so much.
Harrison mixes vignettes of the sex lives of rich people, mainly young and Eurasian, with journalistic pieces on economics, physics, and politics.
In the fictional portions of this book, members of a Shanghai sorority—an exclusive club for rich, politically well-connected young women—jockey for position as they enjoy luxurious lifestyles and explore their sexuality. Meanwhile, the young men in their circle work business deals, take drugs, pursue status, and chase women. In other chapters, a Creator called Taupin, living on a planet with three suns, tries to make sense of the Logos Simulation. There are also ghosts. In the nonfiction sections, journalist/entrepreneur Harrison, writing his debut work, sets forth his research and theories on such topics as hyperdimensionality, consciousness, authenticity, socioeconomics, bitcoin, and democracy. The author recommends his peripatetic, flitting style—or butterfly approach—to the reader as the best method for understanding coming change. Harrison draws some interesting connections, as when he compares the 1989 Tiananmen Square protestors to American hip-hop artists. He can be opaque (readers with “no inclination for a massively technical discussion” are invited to skip Chapter 3), but he explains the intricacies of, for example, digital-payment systems well: “Because bitcoin is all part of one great code, it is impossible for a single bitcoin to be counterfeit.” Alongside so much lesbian teenage sex, this could be a heady mix. But often, the book resembles nothing so much as dull 18th-century pornography in which sordid sex scenes alternate with treatises on political liberty: “ ‘Now personally,’ surmised Gina, waving her left finger, still wet with my white cum smear, ‘I don’t think that God is light or dark or maybe even anything.’ ” Also, while the work is breathlessly excited by all things cutting edge, its presentation of female sexuality is not well-informed fiction: “I came on my clit,” says a confused young lady.
Butterflies are pretty, light, and charming; this book, not so much.Pub Date: May 1, 2015
ISBN: 978-1512128680
Page Count: 382
Publisher: CreateSpace
Review Posted Online: June 9, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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