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THE LINGUIST AND THE EMPEROR

NAPOLEON AND CHAMPOLLION’S QUEST TO DECIPHER THE ROSETTA STONE

Tone-deaf and uninteresting. The hieroglyphs, though, are nicely drawn.

A sadly missed opportunity: a tepid account of code-breaking that might have made a fine, lean tale of scholarly detection.

Jean-François Champollion was the kind of kid who, at the age of seven, knew that he would grow up to decipher the then-unreadable Egyptian hieroglyphs that European adventurers and soldiers were busily carting off to museums and markets back home. Tutored by a linguistically gifted priest who was then on the run from the French Revolution, Champollion mastered one language after another, arguing the merits of classical Persian and Greek thinkers before indifferent country schoolmasters. Napoleon was, well, Napoleon, certain from an early age that it was his destiny to conquer the world and perhaps—shades of Raiders of the Lost Ark—to rule with the aid of knowledge hidden away in the tombs of the pharaohs. “They will sit and talk about Egypt the way two men talk who have loved the same woman,” writes Meyerson (Ellis Fellow/Columbia Univ.; Blood and Splendor, not reviewed), apparently possessed by the muse of Danielle Steel. “But not yet”—for Champollion has to get out of grade school, Napoleon into the saddle. In time, though, Napoleon’s grenadiers hauled away the Rosetta Stone, a stele that glossed hieroglyphs with Greek phrases, and Champollion set about figuring out what they meant. The process Champollion used is one of the shining moments of linguistic deduction, one that has inspired subsequent generations of students of dead languages from Minoan to Tocharian to Mayan. Meyerson prefers sentiment to science, though (“These letters are not written in Coptic or Arabic or Latin or Greek, but in the language—where can he have learned it, poring over old, musty papyri night and day as he does?—the language of love”), and anyone seeking insight into Champollion’s method, and the significance of his discoveries, will want to go elsewhere—and fast.

Tone-deaf and uninteresting. The hieroglyphs, though, are nicely drawn.

Pub Date: March 2, 2004

ISBN: 0-345-45067-1

Page Count: 304

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2003

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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