by Daniel Mueller ‧ RELEASE DATE: March 1, 1999
A debut collection of eight stories, most portraying the extremes of loneliness that inhabit the souls of modern Americans in out-of-the-way places. “Sy Johnson trudged onto the frozen lake toting the dismembered body of his lover on a red plastic sled.” With opening lines like this, you have to be prepared for anything, and the world that Mueller offers is far from sedate. In fact, it’s downright dangerous—not only for victims like Sy Johnson’s gay lover in “Ice Breaking” (who killed himself by kneeling in front of an oncoming train) but for the survivors who have to cope with the mess (like Sy Johnson, who also chooses suicide rather than carry on alone). The lost-love scenario is continued in “Zero,” the story of a gay businessman bankrupted by his boyfriend’s AIDS bills. In “Torturing Creatures at Night,” an obese teenager takes out his frustrations on the entire neighborhood by wandering through the backyards of his suburban town with a remote control, changing television channels through people’s windows. “Birds” is the story of Amanda, an aspiring poet who works as a stripper to pay for her medical expenses. A lesbian who lives with her girlfriend Larissa and the latter’s two sons, Amanda is perfectly happy stripping for men until her encounter with a deranged customer ends in tragedy. “The Night My Brother Worked the Heater” describes the unhappy relationship between Agnes Agnug, a young Aleut, and Larry Olseth, a college boy who takes a summer job in the salmon cannery overseen by Agnes’s brother. And the title story is a reminiscence of small-town madness—replete with animal pornography, murder, unhappy marriages, and sexual awakenings—recalled by the son of a renowned surgeon. Nicely drawn albeit perhaps depressing portraits of the freaks, malcontents, and lumpen weirdos who lurk on the margins of respectable society.
Pub Date: March 1, 1999
ISBN: 0-87951-925-8
Page Count: 192
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
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by Russell Banks ‧ RELEASE DATE: Nov. 12, 2013
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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by Louis L’Amour ‧ RELEASE DATE: May 11, 1999
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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