by Daniel Pinkwater ; illustrated by Aaron Renier ‧ RELEASE DATE: Sept. 22, 2020
By the last page, Blinsh feels like the real happiest place on Earth.
The vampires of Blinsh may be the most hopeful monsters in all of literature.
Pretty much everyone in Blinsh, Pinksylvania, eats doughnuts, including the creatures of the night. This is true even though they come in flavors like “boiled turnip and sauerkraut.” And yet, Pinkwater notes, “the Blinshites keep buying them and eating them, hoping it will be better this time. It never is.” Nevertheless, the vampires in this picture book are cheerful in general, possibly because they can float in the air, although, as the text points out: “Numerous normal-type Pinksylvanians have learned to do this for short periods, perhaps from vampire neighbors?” This is one of the more eventful passages in the book. If there’s a plot, it may escape the average reader. The book is mostly a travel guide to Blinsh and its environs, but the pages are utterly packed with detail. It might not be possible to get all of the in-jokes. A map of the town shows “Wallywood Amusement Park,” which could be a reference to a cartoonist, the filmmaking capitol of the United States, or even Dollywood (probably not Dollywood). If there is a protagonist, it’s Mr. Papooshnik, who bears a resemblance to the White, Jewish author of the book; the town as a whole is quite diverse. Fans of cult artists may be pleased that the pictures look, faintly, like the gigantic, cartoonish sculptures of Red Grooms. (This book was reviewed digitally with 9-by-20-inch double-page spreads viewed at 66.7% of actual size.)
By the last page, Blinsh feels like the real happiest place on Earth. (Picture book. 5-10)Pub Date: Sept. 22, 2020
ISBN: 978-1-4197-4681-9
Page Count: 40
Publisher: Abrams
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Jonathan Stutzman ; illustrated by Heather Fox ‧ RELEASE DATE: May 4, 2021
Cute as a boo-ton—if a tad stereotypical.
Ghost siblings ghoul it up in a new graphic-novel series.
A “THUMP” from the attic sends siblings Fitz and Cleo up to investigate. The spooky vibes delight Cleo, so she improvises “The Spooky Attic Song.” Fitz tries to shush his sister so they can maintain “the element of surprise” as they approach the sound’s source. The mystery is solved: It’s a cat! Cleo promptly scoops the (seemingly mortal) cat up and names him Mister Boo. Fitz has reservations but relents when Mister Boo sits on his head. Ten subsequent chapters, varying between four and seven pages in length, chronicle the trio’s further shenanigans. Husband-and-wife team Stutzman and Fox create an entertaining early graphic novel in the vein of Ben Clanton’s Narwhal and Jelly series. Though there are occasional speech bubbles, dialogue is most often connected to the speaker by a solid black line. Sentences are short, and there are at most two speakers per panel. Additionally, with no more than six panels per page and simple backgrounds, the story provides adequate support to emerging readers. Fox’s expressive illustrations and clever use of panel layouts effectively build off the humor in Stutzman’s text. Cleo is depicted with a purple bow; Fitz with a baseball cap and glasses. Unfortunately, their personalities as well as their appearances play into gender stereotypes.
Cute as a boo-ton—if a tad stereotypical. (Graphic fantasy. 6-10)Pub Date: May 4, 2021
ISBN: 978-1-250-23944-0
Page Count: 64
Publisher: Henry Holt
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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by Amanda Noll ; illustrated by Howard McWilliam ‧ RELEASE DATE: Sept. 1, 2016
What could be more soporific at bedtime than hairy, green-haired slime ogres with nightlight-orange eyes? (Picture book. 5-8)
Another round of under-the-bed–boojum auditions from the creators of I Need My Monster (2009).
Outraged that his personal bed monster, Gabe, has decamped to attend to his wakeful little sister, a lad marches across the hall to remonstrate. Given three chances to conjure up a suitable new monster for hyperactive Emma, three drippy, wormy, tentacled horrors are summoned in turn. Unfortunately, Emma turns out to be delighted rather than properly terrified, and none will do. Will the boy be forced to go monsterless? Drawn with big, shiny eyes and oversized heads, the two light-skinned sibs glow with energy—but the garishly hued monsters in McWilliam’s toy-strewn bedroom scenes are show stealers, whether exuding pools of pink slime or rearing up in glowering, warty menace in vain efforts to get Emma into bed. At last, in a satisfying if not particularly logical twist, it turns out that Gabe himself has a little sister, Stella, whose threatened attack on the giggling Emma’s toes results in a quick bonding and, a page turn later, snoozing children on both sides of the hall.
What could be more soporific at bedtime than hairy, green-haired slime ogres with nightlight-orange eyes? (Picture book. 5-8)Pub Date: Sept. 1, 2016
ISBN: 978-1-936261-37-6
Page Count: 32
Publisher: Flashlight Press
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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