A dynamic version of the mythic American dream.
After nearly three decades of shaping much of what we know of as “street style,” Harlem-born Day, aka Dapper Dan, tells his life story in an engaging prose style.
From growing up hungry in the 1940s and ’50s (“nothing makes you question the purpose and meaning of life like hunger”) to being a master dice gambler to opening (and subsequently closing) his own clothing boutique, the author chronicles his own story as well as that of the changing societal landscape of Harlem. Day’s parents had moved from “tight-knit rural communities in the South where everyone knew each other” to black Harlem, where families “did their best to re-create those communities.” There was little crime and decent education in the public schools, but as Day grew older, the allure of the streets became more important than an education. The author quit high school as the neighborhood was becoming increasingly violent and fragmented due to new housing projects and the rise of heroin and crack, and he took up gambling as his primary hustle. He became a master of his trade, “somewhere between a magician and a scientist,” and he used his smarts through dice games as a primary means of income to support his growing family. After a brief stint in prison for a credit-card fraud scheme in Aruba, Day, increasingly spiritually minded and determined to get off the streets, returned to Harlem and opened the clothing boutique Dapper Dan, specializing in furs and leathers. “Fashion for me wasn’t about expression,” he writes. “Fashion was about power,” a message that resonated with his neighborhood connections, drawing in the hustlers with money to spend. Day eventually found a creative way to screen print the logos of high-fashion labels, such as Louis Vuitton, Gucci, and Fendi, and make custom clothing for his first customers—the black gangsters of Harlem. Since then, his clothes and vision have become iconic to American hip-hop culture. With clients like Jam Master Jay, Flavor Flav, and Beyoncé, Day continues to have an instrumental effect on black urban culture.
A dynamic version of the mythic American dream.Pub Date: July 9, 2019
ISBN: 978-0-525-51051-2
Page Count: 304
Publisher: Random House
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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