THE SILVER STRANGER

In this SF sequel, a young woman’s belief that superheroes do more harm than good takes a dark turn.  

When Alyssa Henson arrives by taxi to the Pacific Coast city of Olympus, where she’s about to start a job as a dental hygienist, she’s annoyed by the reason traffic is at a standstill. Crowds are staring up at the sky, where superheroes Ultra Woman, Mr. Amazing, and Fantastic Man—collectively known as the Terrific Trio—are battling evil unicorns. The sight of a little girl, whose gawking parents are oblivious to their daughter’s precarious perch on a rail overlooking the ocean, just proves Alyssa’s sincere argument that showboating superheroes make the world more perilous, not less. And what if the increase in supervillainy is directly related to the rise of crime fighters with superpowers? (“No weird creatures ever bothered the Earth before superheroes became a thing,” she’s convinced.) Sherrier’s sequel to his creative YA SF novel The Flying Woman (2018) revisits an imaginative world where contemporary city life gets transformed by alternative dimensions and select human beings’ sudden acquisitions of random, unearthly powers. The author’s world is not only outrageously wacky (supervillain powers are reflected in such names as The Candelabra, The Fish Slayer, and The Looking Glass, and an upside-down dimension is peopled by sentient monkeys), but chillingly dark as well. Innocent people are injured and killed during attacks and battles, deliberately and inadvertently, and archsupervillain Doctor Hades’ torture lab is a nightmare. Yet the sequel is also thoughtfully rooted in the realistic emotional journeys of Alyssa and her friends, some of whom have their own secrets. Alyssa’s estrangement from her parents is all too understandable; so is the fact that dreams unrealized have affected her and her best friend, Miranda. When Alyssa’s painful encounter with a zombie unicorn’s horn gives her the potential to eliminate superpowers from both villains and heroes, leading to a disturbing moral dilemma, she must wrestle with what she is in danger of becoming herself. In the end, how Alyssa fares comes in tandem with the explosive disappearance of a few main characters, a welcome hint that there is more to come for the inhabitants of Sherrier’s Olympus and beyond.

A relatable protagonist, a believable journey of self-discovery, and a wild SF world.