Another chilling glimpse inside global terror networks from a gifted storyteller.

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HOUSE OF SPIES

Gabriel Allon is back in the field.

Well, that didn’t take long. By the end of Black Widow (2016), spy Gabriel Allon had finally agreed to become chief of Israel’s intelligence services. All it takes is a terrorist attack on London’s West End—and a whisper that Allon’s current nemesis was the mastermind behind it—to get this storied spy out from behind his desk and back into the thick of it. As they track the man known only as Saladin, Allon and his team travel from Britain to Saint-Tropez and Morocco. They enlist the grudging assistance of a glamorous French entrepreneur (who is in reality a drug smuggler) and his partner, a beautiful onetime model. And they discover the Islamic State has plans that go beyond suicide bombers and vehicular homicide. As usual, Silva has crafted a story that feels ripped from the headlines—possibly tomorrow’s headlines. His characters are confronting an Islamic State that is redefining itself as a virtual entity as it loses physical territory. They’re also fighting against an organization that is shifting its focus from building a caliphate in the Middle East to inflicting casualties in Europe and the United States. This is a less psychologically intense novel than Black Widow, and fans drawn to this series by Gabriel’s sideline as a restorer of Old Master paintings might miss the art history. But this is still a riveting thriller, and Silva’s writing has lost none of its elegance. He provides readers with just enough real-world geopolitics to make sense of his narrative, and his depictions of the different styles of the world’s diverse intelligence services is fascinating as always. What’s different in this installment is the sense that the role of the United States is diminishing in the world. Even though the U.S. asserts itself into the search for Saladin, there’s a clear sense among the British, the French, and the Israelis that their American counterparts are no longer reliable allies.

Another chilling glimpse inside global terror networks from a gifted storyteller.

Pub Date: July 11, 2017

ISBN: 978-0-06-235434-1

Page Count: 544

Publisher: Harper/HarperCollins

Review Posted Online: June 22, 2017

Kirkus Reviews Issue: July 1, 2017

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POP GOES THE WEASEL

After a flight in fantasy with When the Wind Blows (1998), Patterson goes to ground with another slash-and-squirm psychokiller page-turner, this one dedicated to “the millions of Alex Cross readers, who so frequently ask, can’t you write faster?” By day, Geoffrey Shafer is a charming, 42-year-old British Embassy paper-pusher with a picture-perfect family and a shady past as an MI-6 secret agent. Come sundown, he swallows a pharmacy of psychoactive pills, gulps three black coffees loaded with sugar, and roams the streets of Washington, D.C., in a battered cab, where, disguised as a black man, he rolls dice to determine which among his black female fares he—ll murder. Afterwards he dumps his naked victims in crime-infested back alleys of black- slum neighborhoods, then sends e-mails boasting of his accomplishments to three other former MI-6 agents involved in a hellish Internet role-playing game. “I sensed I was at the start of another homicide mess,” sighs forensic-psychologist turned homicide-detective Alex Cross. Cross yearns to catch the “Jane Doe murderer” but is thwarted by Det. Chief George Pittman, who assigns sexy Det. Patsy Hampton to investigate Cross and come up with a reason for dismissing him. Meanwhile, Cross’s fiancÇe is kidnaped during a Bermuda vacation, and an anonymous e-mail warns him to back off. He doesn’t, of course, and just when it appears that Patterson is sleep-walking through his story, Cross nabs Shafer minutes after Shafer kills Det. Hampton. During the subsequent high-visibility trail, Shafer manages to make the jury believe that he’s innocent and that Cross was trying to frame him. When all seems lost, a sympathetic British intelligence chief offers to help Cross bring down Shafer, and the other homicidal game-players, during a showdown on the breezy beaches of Jamaica. Kinky mayhem, a cartoonish villain, regular glimpses of the kindly Cross caring for his loved ones, and an ending that spells a sequel: Patterson’s fans couldn’t ask for more.

Pub Date: Oct. 19, 1999

ISBN: 0-316-69328-6

Page Count: 432

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1999

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A top-notch psychological thriller.

COLD COLD HEART

In Hoag’s (The 9th Girl, 2013, etc.) latest, talented young newscaster Dana Nolan is left to navigate a psychological maze after escaping a serial killer.

While recuperating at home in Shelby Mills, Indiana, Dana meets her former high school classmates John Villante and Tim Carver. Football hero Tim is ashamed of flunking out of West Point, and now he’s a sheriff’s deputy. After Iraq and Afghanistan tours, John’s home with PTSD, "angry and bitter and dark." Dana survived abduction by serial killer Doc Holiday, but she still suffers from the gruesome attack by "the man who ruined her life, destroyed her career, shattered her sense of self, damaged her brain and her face." What binds the trio is their friend Casey Grant, who's been missing five years, perhaps also a Holiday victim, even if "[t]he odds against that kind of coincidence had to be astronomical." Hoag’s first 100 pages are a gut-wrenching dissection of the aftereffects of traumatic brain injury: Dana is plagued by "[f]ear, panic, grief, and anger" and haunted by fractured memories and nightmares. "Before Dana had believed in the inherent good in people. After Dana knew firsthand their capacity for evil." Impulsive and paranoid, Dana obsesses over linking Casey’s disappearance to Holiday, with her misfiring brain convincing her that "finding the truth about what had happened to Casey [was] her chance of redemption." But then Hoag tosses suspects into the narrative faster than Dana can count: Roger Mercer, Dana’s self-absorbed state senator stepfather; Mack Villante, who left son John with "no memories of his father that didn’t include drunkenness and cruelty"; even Hardy, the hard-bitten, cancer-stricken detective who investigated Casey’s disappearance. Tense, tightly woven, with every minor character, from Dana’s fiercely protective aunt to Mercer’s pudgy campaign chief, ratcheting up the tension, Hoag’s narrative explodes with an unexpected but believable conclusion.

A top-notch psychological thriller.

Pub Date: Jan. 13, 2015

ISBN: 978-0-525-95454-5

Page Count: 368

Publisher: Dutton

Review Posted Online: Oct. 23, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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