Another chilling glimpse inside global terror networks from a gifted storyteller.

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HOUSE OF SPIES

Gabriel Allon is back in the field.

Well, that didn’t take long. By the end of Black Widow (2016), spy Gabriel Allon had finally agreed to become chief of Israel’s intelligence services. All it takes is a terrorist attack on London’s West End—and a whisper that Allon’s current nemesis was the mastermind behind it—to get this storied spy out from behind his desk and back into the thick of it. As they track the man known only as Saladin, Allon and his team travel from Britain to Saint-Tropez and Morocco. They enlist the grudging assistance of a glamorous French entrepreneur (who is in reality a drug smuggler) and his partner, a beautiful onetime model. And they discover the Islamic State has plans that go beyond suicide bombers and vehicular homicide. As usual, Silva has crafted a story that feels ripped from the headlines—possibly tomorrow’s headlines. His characters are confronting an Islamic State that is redefining itself as a virtual entity as it loses physical territory. They’re also fighting against an organization that is shifting its focus from building a caliphate in the Middle East to inflicting casualties in Europe and the United States. This is a less psychologically intense novel than Black Widow, and fans drawn to this series by Gabriel’s sideline as a restorer of Old Master paintings might miss the art history. But this is still a riveting thriller, and Silva’s writing has lost none of its elegance. He provides readers with just enough real-world geopolitics to make sense of his narrative, and his depictions of the different styles of the world’s diverse intelligence services is fascinating as always. What’s different in this installment is the sense that the role of the United States is diminishing in the world. Even though the U.S. asserts itself into the search for Saladin, there’s a clear sense among the British, the French, and the Israelis that their American counterparts are no longer reliable allies.

Another chilling glimpse inside global terror networks from a gifted storyteller.

Pub Date: July 11, 2017

ISBN: 978-0-06-235434-1

Page Count: 544

Publisher: Harper/HarperCollins

Review Posted Online: June 22, 2017

Kirkus Reviews Issue: July 1, 2017

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Box handles this foolproof formula with complete assurance, keeping the pot at a full boil until the perfunctory,...

THE HIGHWAY

The creator of Wyoming Fish and Game Warden Joe Pickett (Breaking Point, 2013, etc.) works the area around Yellowstone National Park in this stand-alone about a long-haul trucker with sex and murder on his mind.

The Lizard King, as he calls himself, normally targets lot lizards—prostitutes who work the parking lots adjacent to the rest stops that dot interstate highways. But he’s more than happy to move up to a higher class of victim when he runs across the Sullivan sisters. Danielle, 18, and Gracie, 16, are supposed to be driving from their mother’s home in Denver to their father’s in Omaha, but Danielle has had the bright idea of heading instead to Bozeman, Mont., to visit her boyfriend, Justin Hoyt. Far from home, their whereabouts known to only a few people, the girls are the perfect victims even before they nearly collide with the Lizard King’s rig and Danielle flips him off. Hours later, very shortly after he’s caught up with them in the depths of Yellowstone and done his best to eradicate every trace of his abduction, Justin, worried that Danielle refused his last phone call, tells his father that something bad has happened. Cody Hoyt, an investigator for the Lewis and Clark County Sheriff’s Department, is already having a tough day: At the insistence of his crooked boss, Sheriff Tubman, his longtime student and new partner, Cassandra Dewell, has just caught him planting evidence in an unrelated murder, and he’s been suspended from his job. If he’s lost his badge, though, Cody’s got plenty of time on his hands to drive downstate and meet with State Trooper Rick Legerski, the ex-husband of his dispatcher’s sister, to talk about what to do next. And so the countdown begins.

Box handles this foolproof formula with complete assurance, keeping the pot at a full boil until the perfunctory, anticlimactic and unsatisfactory ending.

Pub Date: July 30, 2013

ISBN: 978-0-312-58320-0

Page Count: 400

Publisher: Minotaur

Review Posted Online: July 7, 2013

Kirkus Reviews Issue: July 15, 2013

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Not terribly suspenseful, but as a dissection of a family in crisis, it works.

A NEARLY NORMAL FAMILY

In Swedish author Edvardsson’s U.S debut, a family is shattered by a heinous crime.

Adam is a well-respected pastor, and his wife, Ulrika, is a defense attorney. Their daughter, Stella, has just turned 18 and is planning a trip to Asia. From the outside, the Sandells are the perfect family, but that facade crumbles when Stella is arrested for the brutal stabbing of 32-year-old Christopher Olsen at a playground. On the night of the murder, Adam finds Stella’s shirt covered in dark stains; he will do anything to keep his daughter out of prison, including providing a false alibi, but his decision contradicts his faith and shakes him to his core. The story is told in three parts, from the viewpoints of Adam, Stella, and Ulrika. Adam presents Stella as a troubled child and out-of-control teen. Stella reveals that much of her acting out stemmed from her desire to control her own life, her father’s overprotectiveness, and her mother’s perceived coldness. Further, Adam and Ulrika’s failure to report a sexual assault on Stella by a trusted camp director when Stella was 15 created a permanent fissure in the family. Stella’s whirlwind affair with the wealthy and attentive Chris is complicated by his ex-girlfriend, who tells Stella he’s abusive. The romance eventually spins out of control, but could Stella be a killer? Much of Ulrika’s narrative is spent in the courtroom during Stella’s murder trial, which may lead some readers to feel like she got short shrift. In between flashes of courtroom drama, Ulrika contemplates her marriage, motherhood, and her alienation in the face of what she felt was an impenetrable relationship between Adam and Stella. The murder mystery falls a bit flat and the resolution is overly neat, but Edvardsson ably weaves themes of parental guilt and sacrifice into a nuanced family drama.

Not terribly suspenseful, but as a dissection of a family in crisis, it works.

Pub Date: June 25, 2019

ISBN: 978-1-250-20443-1

Page Count: 400

Publisher: Celadon Books

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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