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THE MARCHING SEASON

The Troubles claim still another victim, as Silva’s attempt to pull off the hat trick falls short of the success of his two earlier spy thrillers. Because they want to torpedo the Good Friday accords that they think will oust the British from Northern Ireland, Kyle Blake and his tiny, murderous Ulster Freedom Brigade (UFB) embark on a wholesale campaign of terrorism, bombing Irish and British landmarks on the same day they’re executing a Sinn Fein notable. Because he’s determined to let the UFB know he stands foursquare behind the accords, Prime Minister Tony Blair insists that the next US Ambassador to Britain be a person of substance. Because he can’t resist the chance to make history once more, retired Senator Douglas Cannon agrees to accept the posting. Because he’s worried about his father-in-law’s safety, and because he’s offered another chance to go after October, the hired assassin who narrowly eluded him in The Mark of the Assassin (1998) and may be involved once again here, ex-CIA agent Michael Osbourne comes back to the Agency to assess counterterrorist measures in London and ends up in the middle of the inevitable UFB attempt on Cannon’s life. All this may sound vaguely familiar, since even real-life Yanks like George Mitchell have taken such major roles in recent Northern Irish history. But when Cannon survives the attempt to return to Washington with Osbourne in tow, stealthily pursued by October and escaped UFB intelligence chief Rebecca Wells, the scent of Tom Clancy’s Patriot Games becomes overpowering. Sadly, Silva’s biggest innovation, the international franchise of diplomats and arms dealers designed to foment worldwide unrest and integrate the New World Order flare-ups that keep Osbourne in business, is the weakest aspect of this rousing but otherwise familiar tale. What survives is a sure hand with the larger picture, some movie-tense action sequences, a hero worth rooting for—and a few lucky members of the supporting cast. (Book-of-the-Month selection; author tour)

Pub Date: March 10, 1999

ISBN: 0-375-50089-8

Page Count: 480

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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