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EVERYONE YOU HATE IS GOING TO DIE

AND OTHER COMFORTING THOUGHTS ON FAMILY, FRIENDS, SEX, LOVE, AND MORE THINGS THAT RUIN YOUR LIFE

Comedy for fans of Tucker Max and early Howard Stern.

A book version of the Scottish comedian’s routine.

Recycling his material into book form, Sloss creates an awkward mix of virulent complaints and predictable relationship advice. The author boasts that his show Jigsaw, in which he made the unremarkable case that it's better to be alone than in a bad relationship, “broke up 95,000 couples, resulted in 250 engagements being canceled and more than 200 divorces.” Throughout, Sloss employs profanity with a liberal hand, “not as much as I originally wanted—there's editors for you—but still enough to hurt your delicate American sensibilities.” In one particularly venomous chapter, the author unleashes a tirade directed at his ex-girlfriend, who “is going to read this and feel so, so bad about herself” and who he hopes “dies in a car crash. As long as no innocent civilians are killed, I don’t think I’d bat an eye.” His ability to dispense relationship advice—e.g., “Have as much sex as you can while you're young, because it’s the only time you’re allowed to suck at it”; “You owe nothing to anyone other than yourself”—is predicated on his seemingly unironic belief that “I'm twenty-nine years old. I think I know what I'm talking about.” Less shocking than sophomoric, the book is likely to grate on the nerves of those who don't identify as “Lads, Lads, Lads.” The author’s attempts to shoehorn more serious emotional material into the narrative—as when he describes his love for a sister who suffered from cerebral palsy and died when she was 6 and he was 8—feel misplaced. In the final chapter, Sloss writes about the satisfying relationship he has with his girlfriend of three years, but he includes an objectively appalling list of ways in which he's mistreated her. Readers may wonder whom he’s trying to impress with his naughty ways.

Comedy for fans of Tucker Max and early Howard Stern.

Pub Date: Oct. 12, 2021

ISBN: 978-0-525-65814-6

Page Count: 240

Publisher: Knopf

Review Posted Online: Feb. 24, 2021

Kirkus Reviews Issue: July 1, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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