A richly layered, beautifully told and somehow lovable story about war, revenge and loss.
Elijah Goldstein's devoted Uncle Poxl is a Jewish World War II fighter pilot and an overnight literary sensation. What more could a boy want?
While Torday (The Sensualist: A Novella, 2012) is more likely to be compared to Philip Roth or Michael Chabon than Gillian Flynn, his debut novel has two big things in common with Gone Girl—it's a story told in two voices, and it's almost impossible to discuss without revealing spoilers. The reversal that defines this novel arrives late and changes the meaning of everything that's come before, but that's all you'll hear about it here. One of the two narrators is Elijah Goldstein, a 15-year-old student in Boston, who begins his tale, promisingly, like this: "Before halftime on Super Bowl Sunday, January 1986, my uncle Poxl came over. He was just months from reaching the height of his fame, and unaware that the game was being played." This fame results from publication of Skylock: The Memoir of a Jewish RAF Bomber, which Uncle Poxl has read aloud to Eli in manuscript over sundaes at Cabot's after outings to the opera and the symphony. The entire text of Skylock appears here as a book within a book. Poxl's memoir opens with his childhood in Czechoslovakia, where he's the son of a wealthy leather-factory owner and a bohemian mother who poses nude for Egon Schiele. When the Anschluss begins, his parents send him to Rotterdam, where he falls hard for a prostitute. His next move takes him to London, where he joins the war effort and ultimately flies a bomber in a firefight over Hamburg. After each section of the memoir, Eli returns to fill us in on reviews in the Times and the Economist, the book signings and the things we will not be discussing in this review.
A richly layered, beautifully told and somehow lovable story about war, revenge and loss.Pub Date: March 17, 2015
ISBN: 978-1-250-05168-4
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Nov. 18, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK REVIEW
BOOK REVIEW
PROFILES
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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