It’s Dickens-meets–New-Age-fantasy, but it’s an effort that may not fully satisfy fans of either genre.
Piazza debuts with complex historical fiction linking Celtic mysticism to the medieval construction of Milan’s Santa Maria Nascente Cathedral.
In 1447, Milan’s Duke Filippo Maria Visconti dies without a male heir, threatening instability or aggression from the neighboring city-states of the Italian peninsula. There’s an eligible but unknown illegitimate son, Niccolò, but he’s too young to rule. On his deathbed, Filippo demands Archdeacon Onorio, part of the group supervising the cathedral’s construction, become the boy's guardian. The duke doesn’t know that Onorio’s also a member of the Brotherhood of Druids of the Light, nine "philosophers and wise men" with "faith in a divinity whose name had changed through time," originally venerating the Celtic goddess Belisama, who they believe is an incarnation of the Virgin Mary. In fact, the cathedral is being built over Medhelan, "the heart of the ancient Celtic shrine." Following Niccolò over three decades as he’s torn between the brotherhood and the world of flesh, Piazza’s narrative is chronological, but it’s complicated and moves slowly. However, amid the thoroughly detailed schemes, murders, and flashbacks to mystical Druid ceremonies, Niccolò proves a believable, likable hero, especially in interactions with contemporaries Lorenzo and Maria. The pair were street children who found their way into service of the new duke, Francesco Sforza, Filippo’s son-in-law. Lorenzo becomes a deadly assassin; beautiful Maria’s first the kept woman of the castle steward, later the madam of Ca’ Gioiosa, a brothel for the court’s courtiers, guests, and rich prelates. There’s a love story for Niccolò, much ado about the cathedral’s construction, political intrigue, rape, torture, and murders in this readable but overly detailed novel.
It’s Dickens-meets–New-Age-fantasy, but it’s an effort that may not fully satisfy fans of either genre.Pub Date: June 9, 2015
ISBN: 978-1-5040-0069-7
Page Count: 440
Publisher: Open Road Integrated Media
Review Posted Online: March 28, 2015
Kirkus Reviews Issue: April 15, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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