It’s Dickens-meets–New-Age-fantasy, but it’s an effort that may not fully satisfy fans of either genre.



Piazza debuts with complex historical fiction linking Celtic mysticism to the medieval construction of Milan’s Santa Maria Nascente Cathedral.

In 1447, Milan’s Duke Filippo Maria Visconti dies without a male heir, threatening instability or aggression from the neighboring city-states of the Italian peninsula. There’s an eligible but unknown illegitimate son, Niccolò, but he’s too young to rule. On his deathbed, Filippo demands Archdeacon Onorio, part of the group supervising the cathedral’s construction, become the boy's guardian. The duke doesn’t know that Onorio’s also a member of the Brotherhood of Druids of the Light, nine "philosophers and wise men" with "faith in a divinity whose name had changed through time," originally venerating the Celtic goddess Belisama, who they believe is an incarnation of the Virgin Mary. In fact, the cathedral is being built over Medhelan, "the heart of the ancient Celtic shrine." Following Niccolò over three decades as he’s torn between the brotherhood and the world of flesh, Piazza’s narrative is chronological, but it’s complicated and moves slowly. However, amid the thoroughly detailed schemes, murders, and flashbacks to mystical Druid ceremonies, Niccolò proves a believable, likable hero, especially in interactions with contemporaries Lorenzo and Maria. The pair were street children who found their way into service of the new duke, Francesco Sforza, Filippo’s son-in-law. Lorenzo becomes a deadly assassin; beautiful Maria’s first the kept woman of the castle steward, later the madam of Ca’ Gioiosa, a brothel for the court’s courtiers, guests, and rich prelates. There’s a love story for Niccolò, much ado about the cathedral’s construction, political intrigue, rape, torture, and murders in this readable but overly detailed novel.

It’s Dickens-meets–New-Age-fantasy, but it’s an effort that may not fully satisfy fans of either genre.

Pub Date: June 9, 2015

ISBN: 978-1-5040-0069-7

Page Count: 440

Publisher: Open Road Integrated Media

Review Posted Online: March 29, 2015

Kirkus Reviews Issue: April 15, 2015

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A strange, subtle, and haunting novel.

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A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.


Thriller writer Baldacci (A Minute to Midnight, 2019, etc.) launches a new detective series starring World War II combat vet Aloysius Archer.

In 1949, Archer is paroled from Carderock Prison (he was innocent) and must report regularly to his parole officer, Ernestine Crabtree (she’s “damn fine-looking”). Parole terms forbid his visiting bars or loose women, which could become a problem. Trouble starts when businessman Hank Pittleman offers Archer $100 to recover a ’47 Cadillac that’s collateral for a debt owed by Lucas Tuttle, who readily agrees he owes the money. But Tuttle wants his daughter Jackie back—she’s Pittleman’s girlfriend, and she won’t return to Daddy. Archer finds the car, but it’s been torched. With no collateral to collect, he may have to return his hundred bucks. Meanwhile, Crabtree gets Archer the only job available, butchering hogs at the slaughterhouse. He’d killed plenty of men in combat, and now he needs peace. The Pittleman job doesn’t provide that peace, but at least it doesn’t involve bashing hogs’ brains in. People wind up dead and Archer becomes a suspect. So he noses around and shows that he might have the chops to be a good private investigator, a shamus. This is an era when gals have gams, guys say dang and keep extra Lucky Strikes in their hatbands, and a Lady Liberty half-dollar buys a good meal. The dialogue has a '40s noir feel: “And don’t trust nobody.…I don’t care how damn pretty they are.” There’s adult entertainment at the Cat’s Meow, cheap grub at the Checkered Past, and just enough clichés to prove that no one’s highfalutin. Readers will like Archer. He’s a talented man who enjoys detective stories, won’t keep ill-gotten gains, and respects women. All signs suggest a sequel where he hangs out a shamus shingle.

Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

Pub Date: July 9, 2019

ISBN: 978-1-5387-5056-8

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Nov. 14, 2019

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