A laudable set of premises, but thin writing and faux disclosures keep this garden from bursting into full bloom.
A debut collection from a Minnesota writer pits its mainly suburban characters against a nature that is both unforgiving and creepily profligate.
Sosin has a gift for the narrative hook. Many of these 12 stories place their protagonists in potentially humiliating situations, then watch them struggle out with varying degrees of grace. In ``Internal Medicine,'' a woman talks a group of firstyear medical students through her own pelvic exam while pondering her recent divorce. ``Ice Age'' gives us a resentful farmer who, cornered by his own act of kindness, finds himself trapped at an awkward dinner with yuppies he despises for encroaching on his land. At her best, Sosin is able to milk these reversaloffortune setups to alchemical effect. ``Mother Superior,” one of the best pieces here and the only one to depart from a middleclass milieu, follows a burntout former bar owner through a date gone sadly wrong; the quietly devastating climax feels like a slap not only to her face, but to ours. Elsewhere, though, these revelations can sound like unintentional punch lines, especially when allegories from nature start gumming up the works. ``Submersion'' draws a clunky parallel between a woman's obsessive vigil over a turtle nest on a Mexican beach and the recent drowning death of her son, revealed at the end in a distinctly unsurprising twist. ``There Are No Green Butterflies'' solemnly depicts the unraveling of a nascent romance that the reader is unlikely to mourn (`` `Sex is holy,' he says, looking off in the distance''). Only the title story steps back from this relentless intersubjectivity, offering a restrained, almost photographic vignette of the varied urban types frequenting a public greenhouse. Meanwhile, Sosin's generally graceful prose has moments of startling infelicity: one heroine lies in bed ``exacerbated,'' wielding ``the fineedged knife of selfblame.''
A laudable set of premises, but thin writing and faux disclosures keep this garden from bursting into full bloom.Pub Date: April 1, 2000
ISBN: 1-56689-100-0
Page Count: 176
Publisher: Coffee House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2000
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...
Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.
Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."Pub Date: Sept. 16, 1987
ISBN: 9781400033416
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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