Every journey has its logistical problems, but they come peck by drove in this absurdist's delight, penned in the 1930s by the Russian Kharms. A gent steps out one morning, ``singing a song,'' joins up with his friend Pete, then with a ``man no bigger than a jug,'' and another ``so long we couldn't see his feet.'' They proceed, though not before solving the dilemma of their varying gaits. This fast becomes a comedy of cooperation, as the bonhomous characters fashion goofily elegant solutions to each new challenge- -who rides the donkey, how to arrange themselves in boat and car. From the vicissitudes of this modest odyssey, Kharms—in Pevear's translation—conjures a drily humorous story that shrewdly captures the unique pleasures of working through a problem with other, very different, people. Or treat the book purely as a comic episode, a look at the varied permutations and combinations of a fixed set of possibilities, or an open-ended, shaggy-dog version of the theme most recently sighted in Ed Young's Donkey Trouble (1995). Rosenthal's superb illustrations are an irresistible cross- pollination of the Katzenjammer Kids with the daft tricksters found in Zap comics, situated in flat, graphically sophisticated landscapes. (Picture book/folklore. 4-8)
Pub Date: April 25, 1996
ISBN: 0-374-32339-9
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
BOOK REVIEW
BOOK REVIEW
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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