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A Rainbow Together

A vivid, poignant story of a boy who learns to love.

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A young man takes a life-altering summer job in this debut coming-of-age novel.

With his Beatle-esque haircut and a shy, awkward demeanor, 16-year-old Davey Dodd doesn’t quite fit in at his high school, Newport Catholic, or anywhere else in his “rigidly monochromatic” Cincinnati community. But it’s the summer of 1964—the famous “Freedom Summer,” as the text none-too-subtly points out—and everything changes when Davey lands a job doing grunt work at the swank Sheraton Gibson Hotel. His co-workers, including a socially conscious receptionist, Janine Huber, and a maternal boss, Nancy Baioni, soon become his second family, offering him a welcome refuge from the often tense environment at home. But he forges his closest connection with Tony DeStefano, a handsome, artistic teenager. It’s clear that Davey’s interest in Tony is more than platonic, although a mixture of fear and guilt causes him to keep his feelings hidden. As the months pass, Davey tentatively begins to come to terms with his burgeoning sexuality, learning that, as Janine chides, “You can’t let other people stop you from doing what you know is right for you.” The novel gets off to a slow start, but patient readers will be rewarded with a sensitively told story of growing up in a time and place when difference was something people hid. Author Davies has an eye for detail that brings the midcentury milieu to life, but he wisely gives characters space to breathe within it. A fragment of an overheard conversation between Tony and his alcoholic father, for example, reveals everything that readers need to know about the boy’s home life, while the teasing remarks of Davey’s co-workers early on hint at the truth about his sexual orientation. Well-timed flashbacks, including memories of a childhood confessional scene and schoolyard bullying, are developed well enough to function as stand-alone short stories. Davies does draw a few supporting characters with overly broad strokes—Davey’s one-dimensional, shrewish mother, for instance, and a flamboyant gay couple from New Orleans who seem too over-the-top to believe—but that doesn’t diminish the novel’s overall power.

A vivid, poignant story of a boy who learns to love.

Pub Date: Aug. 19, 2016

ISBN: 978-1-4834-5364-4

Page Count: 234

Publisher: Lulu

Review Posted Online: Nov. 2, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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