A vivid, poignant story of a boy who learns to love.
A young man takes a life-altering summer job in this debut coming-of-age novel.
With his Beatle-esque haircut and a shy, awkward demeanor, 16-year-old Davey Dodd doesn’t quite fit in at his high school, Newport Catholic, or anywhere else in his “rigidly monochromatic” Cincinnati community. But it’s the summer of 1964—the famous “Freedom Summer,” as the text none-too-subtly points out—and everything changes when Davey lands a job doing grunt work at the swank Sheraton Gibson Hotel. His co-workers, including a socially conscious receptionist, Janine Huber, and a maternal boss, Nancy Baioni, soon become his second family, offering him a welcome refuge from the often tense environment at home. But he forges his closest connection with Tony DeStefano, a handsome, artistic teenager. It’s clear that Davey’s interest in Tony is more than platonic, although a mixture of fear and guilt causes him to keep his feelings hidden. As the months pass, Davey tentatively begins to come to terms with his burgeoning sexuality, learning that, as Janine chides, “You can’t let other people stop you from doing what you know is right for you.” The novel gets off to a slow start, but patient readers will be rewarded with a sensitively told story of growing up in a time and place when difference was something people hid. Author Davies has an eye for detail that brings the midcentury milieu to life, but he wisely gives characters space to breathe within it. A fragment of an overheard conversation between Tony and his alcoholic father, for example, reveals everything that readers need to know about the boy’s home life, while the teasing remarks of Davey’s co-workers early on hint at the truth about his sexual orientation. Well-timed flashbacks, including memories of a childhood confessional scene and schoolyard bullying, are developed well enough to function as stand-alone short stories. Davies does draw a few supporting characters with overly broad strokes—Davey’s one-dimensional, shrewish mother, for instance, and a flamboyant gay couple from New Orleans who seem too over-the-top to believe—but that doesn’t diminish the novel’s overall power.
Pub Date: Aug. 19, 2016
ISBN: 978-1-4834-5364-4
Page Count: 234
Publisher: Lulu
Review Posted Online: Nov. 2, 2016
Kirkus Reviews Issue: Dec. 1, 2016
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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