Turgid and meandering.
Horn (The World to Come, 2006, etc.) details the adventures of a young Jewish spy for the Union.
In the hours before Passover 1862, 19-year-old Jacob Rappaport emerges from a smuggler’s barrel onto the New Orleans waterfront. The son of a wealthy New York merchant, he joined the Union Army to avoid an arranged marriage and has been sent South to kill his Uncle Harry, suspected (rightly) of planning to assassinate Lincoln. Jacob slips poison into his uncle’s seder wine, and Harry expires spectacularly, vomiting black bile onto the silver trays. Regrettably, this is the most dramatic moment in the novel. Jacob’s next assignment is to infiltrate a Virginia household and marry beautiful Rebel spy Eugenia Levy. Assisted by her three sisters, she’s passing on military secrets blabbed by a Union officer too pompous to realize “that ladies also have brains.” Horn’s Dan Brown–like fascination with codes and passwords is unlikely to be shared by readers, nor is the romance terribly compelling. Jacob falls for Eugenia and succeeds in marrying her, but his ambivalent vacillations between shame and bravado make him a weak hero. Eventually the sisters are arrested and Eugenia is reported dead: more shame for Jacob, who has now betrayed his wife as well as killed his uncle. His mission is over, but the novel is only half finished. Jacob returns to the South as a regular soldier—primarily, one suspects, so Horn can work Grant’s order to expel Jews into the plot. Crippled and partially blinded in an accident, Jacob volunteers for one last mission, which involves gaining the trust of Judah Benjamin, the Jewish brains behind the Confederacy in Richmond. Two big questions remain: Is Eugenia still alive? Will Jacob be a fool for love? Make that three: Does anyone care?
Turgid and meandering.Pub Date: April 1, 2009
ISBN: 978-0-393-06492-6
Page Count: 384
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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