A useful classroom teaching tool; it is also available in Spanish.
Throughout a day and night, a dozen U.S. desert animals demonstrate that not all animals use water to bathe.
This intriguing combination of biology and earth science follows the model of Prairie Storms (2011), by the same pair. Here, while a short text describes an animal’s behavior, the illustrations also reveal the time of day. From the turkey vulture’s early-morning sun bath to the bobcat kitten’s tongue-wash late at night, each creature is shown in its natural habitat in Rietz’s realistic paintings, done with a mix of watercolor and digital effects. As in the previous title, these double-page spreads are framed with unlabeled but relevant border designs. Six pages of backmatter include “fun facts,” an adaptations matching game, a U.S. map, further information about animal cleaning methods and telling time by the sun’s position, and instructions for making a sundial, but no index. The creatures described are fascinating, but the text lacks an explanatory, unifying introduction or conclusion. It is only through careful reading of the backmatter that readers will discover the point of the text—the variety of ways animals get rid of dirt, germs, bugs and parasites—or the orientation of the illustrations (looking north) that demonstrates the time of day.
A useful classroom teaching tool; it is also available in Spanish. (Informational picture book. 5-9)Pub Date: Aug. 10, 2012
ISBN: 978-1-607185-253
Page Count: 32
Publisher: Sylvan Dell
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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