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THE LOST SWORD

From the Jack Mason Adventure series , Vol. 5

Not much for internal logic but certainly a headlong thrill ride.

Intrepid teen detectives Jack and Scarlet battle Japanese crime bosses and German Nazis—make that “damned Nazis”—to find a long-lost sword purported to have magic powers.

Using as their cover a convention of scientists and world leaders gathering in Tokyo to sign a climate-change accord, the white, British teens join their eccentric employer, Ignatius Doyle, in seeking both the Kusanagi sword and Doyle’s missing scapegrace secret-agent brother, Edgar. In doing so, they become caught in the middle of an escalating conflict between Japanese Darwinists, whose Biomechanics technology is producing wonders like helicopter-sized dragonflies, and Metalists, who go for machinery—such as, for example, a gigantic, steam-driven dragon that levels parts of the city. In addition, the search is complicated by trench coat–clad Nazis who are also after the fabled sword. Never one to give his characters a moment’s rest, Pitt punctuates the action-heavy plot with sudden assaults, narrow escapes, hails of gunfire, corpses, no fewer than four cryptic parchment maps left atop hidden (sometimes booby-trapped) altars, and repeated rescues by a mysterious female ninja. The author also trots in Albert Einstein, Adolf Hitler, and other historical figures for cameos. In this episode, at least, Jack has more to do than Scarlet, who can deck an attacker at need but is chiefly along to scream, swoon, provide romantic tension, and be rescued from kidnappers.

Not much for internal logic but certainly a headlong thrill ride. (Steampunk. 11-14)

Pub Date: May 10, 2016

ISBN: 978-1-925240-18-4

Page Count: 286

Publisher: Text

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: March 15, 2016

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THRIVE

From the Overthrow series , Vol. 3

A thrilling conclusion to a beautifully crafted, heart-stopping trilogy.

This is the moment teens Seth, Anaya, and Petra have both been anticipating and dreading ever since aliens called cryptogens began attempting to colonize the Earth: the chance to defend their planet.

In an earlier volume, Seth, Anaya, and Petra began growing physical characteristics that made them realize they were half alien. Seth has wings, Petra has a tail, and Anaya has fur. They also have the power of telepathy, which Anaya uses to converse with Terra, a cryptogen rebel looking for human allies who could help stop the invasion of Earth. Terra plans to use a virus stored in the three teens’ bodies to disarm the flyers, which are the winged aliens that are both masterminding the invasion and enslaving the other species of cryptogens known as swimmers and runners. But Terra and her allies can’t pull any of this off without the help of Anaya, Seth, and Petra. Although the trio is anxious about their abilities, they don’t have much of a choice—the entire human race is depending on them for salvation. Like its predecessors, this trilogy closer is fast-paced and well structured. Despite its post-apocalyptic setting, the story is fundamentally character driven, and it is incredibly satisfying to watch each protagonist overcome their inner battles within the context of the larger human-alien war. Main characters read as White.

A thrilling conclusion to a beautifully crafted, heart-stopping trilogy. (Science fiction. 11-14)

Pub Date: May 4, 2021

ISBN: 978-1-984894-80-9

Page Count: 416

Publisher: Knopf

Review Posted Online: Feb. 8, 2021

Kirkus Reviews Issue: March 1, 2021

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CHILDREN OF THE FLYING CITY

A few promising, even brilliant bits are lost in an ill-constructed jumble of warring plotlines and ambiguous agendas.

As fleets of hostile warships gather over a floating city, a young thief finds himself the object of an urgent manhunt.

Readers can be excused for coming away bewildered by Sheehan’s competing storylines, disconnected events, genre-bending revelations, and refusal to fit any of the major players in the all-White–presenting cast consistently into the roles of villain, ally, or even protagonist. Continually shifting through points of view and annoyingly punctuated with an omniscient narrator’s portentous commentary, the tale centers on the exploits of 12-year-old street urchin Milo Quick and his squad of juvenile ragamuffins (seemingly juvenile at any rate; one is eventually revealed to be something else entirely) in an aerial city of Dickensian squalor threatened by a multinational flying armada. Though a lot of people are after Milo, ranging from the swashbuckling crew of a flying privateer hired (ostensibly) to kidnap him and a vengeful punk bent on bloody murder to a sinister truant officer paid lavishly by mysterious parties to watch over him, he ultimately winds up—or so it seems—being no more than a red herring all along. The actual target is revealed piecemeal in conversations and flashbacks before the commencement of a climactic bombardment and an abrupt cutoff in which three side characters, miraculously shrugging off multiple knife and bullet wounds, themselves suddenly take center stage to set up a sequel.

A few promising, even brilliant bits are lost in an ill-constructed jumble of warring plotlines and ambiguous agendas. (Science fiction. 11-14)

Pub Date: March 15, 2022

ISBN: 978-0-593-10951-9

Page Count: 400

Publisher: Dutton

Review Posted Online: Dec. 23, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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