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DANDELION MAGIC

Lighter-than-air fun.

A story of magic, sea voyages, and dandelions that isn’t all hot air.

Did you know that each year there’s one dandelion that’s full of magic? At least that’s what Jonah’s nana believes. She knows that it must be true because once she found one, blew away the fluffy seeds, and Jonah appeared. Today is a lucky day because Jonah has found this year’s magical dandelion! He’s going to need readers to help, though, to blow away the seeds and unlock the wonder. Readers blow, conjuring pirate ships, dragons, and pizza as Jonah sails for adventure. Thankfully, Super-Nana is nearby to help solve the spiraling problems that magic can sometimes create. Readers will blow, roar, and (best of all) make rude noises to help activate the magic and guide the fun. The interactive invitations are hardly new, but the story is both amusing and guided by convincingly childlike logic, and the right storyteller will have listeners laughing with anticipation for the next gag. Although the text is perfect for group sharing, the low contrast in the soft pastel illustrations suggests a relatively small group for best results. Readers close enough to take in Tatsukawa’s textured details will be beguiled. Jonah and his nana both have pale skin. His hair is shaggy and brown; hers is worn in a neat white bun. (This book was reviewed digitally with 9.5-by-19-inch double-page spreads viewed at actual size.)

Lighter-than-air fun. (Picture book. 4-6)

Pub Date: April 20, 2021

ISBN: 978-0-593-11290-8

Page Count: 40

Publisher: Dial Books

Review Posted Online: Feb. 8, 2021

Kirkus Reviews Issue: March 1, 2021

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THE LAND OF LOST THINGS / EL PAÍS DE LAS COSAS PERDIDAS

A mildly interesting way to introduce artistic expression to a preschool audience. (Picture book. 4-6)

A child’s inquisitive search for a lost pencil takes him on an imaginary tour.

Missing his favorite blue pencil, a little boy visualizes his way through “the land of lost things.” On his quest he encounters not just his own but a “forest of lost blue pencils.” Ripping a pencil from one of the trees releases a flood of dark blue color that spreads across the page. Wielding an eraser, the boy creates a newly white space to reveal a setting sun, green centipede and a butterfly of many colors—really his lost golden button, comb and scissors. Soon, still wandering in this strange world of mislaid items, the boy finds his flashlight and holey red sock amid a flock of flying ones as he follows the path to “a mountain of mittens” and walks through “a garden of lost umbrellas.” Still unable to find his original blue pencil, a brown one from his pencil box creates a new drawing of inspired adventure. The boy’s inventive exploration is depicted with whimsical art in digital collage, opaque watercolors and markers. The art creates the necessary fanciful atmosphere for this tale, as the bilingual telling lacks verve.

A mildly interesting way to introduce artistic expression to a preschool audience. (Picture book. 4-6)

Pub Date: May 31, 2011

ISBN: 978-1-55885-690-5

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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DOODLEDAY

Mom departs for the store with emphatic instructions that Harvey mustn’t draw because today is “Doodleday,” but Harvey doesn’t obey this baffling edict. He has no idea what Doodleday is, but surely a sketch of a fly “couldn’t hurt a fly,” right? He frowns in concentration and, using blue pencil on white paper, produces a nice, fat, hairy fly—which immediately appears, alive and exponentially larger, “destroying the kitchen.” Worried, Harvey renders a spider in purple, which also bursts into life—and snares Harvey’s dad in its web. Harvey draws a bird next, then a giant squid, hoping each time that the new creature will devour the next-smallest and stop the chaos. His massive, animated artwork wreaks havoc on the neighborhood until Mom returns and draws the only thing that can contain them: Mom herself. Sketched-Mom forces the creatures back into the pad of paper, and peace is restored. Collins uses fine lines, perspective and plenty of color in portraying Harvey and the backgrounds, but the drawings-come-alive grow only in size, not detail: Each resembles a child’s artwork, with grainy, crayon-textured outlines on white paper that stays flat and non-transparent. The disparate visual styles look fascinating together and distract from the niggling misnomer of a title; Harvey’s work is too deliberate to be called doodling. A nifty heir to Harold and the Purple Crayon. (Picture book. 4-6)

Pub Date: May 1, 2011

ISBN: 978-0-8075-1683-6

Page Count: 32

Publisher: Whitman

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: March 15, 2011

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