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BUSTED IN NEW YORK AND OTHER ESSAYS

A deeply satisfying, beautifully crafted collection of work by a writer of uncommon excellence and humanity.

Fiercely intelligent essays, reportage, and reviews from the award-winning novelist and nonfiction writer.

In a generous gathering of 25 pieces published since 1995, Pinckney (Black Deutschland, 2016, etc.), who once carried around James Baldwin’s Notes of a Native Son “as if it were a training manual,” examines the African American experience, past and present, from the deeply observant vantage point of a black, gay intellectual. The most compelling pieces illuminate events—e.g., the “shower” of self-help at the Million Man March and tensions on the streets of “sundown town” Ferguson, Missouri, where the author bonded with protesters after the police shooting of Michael Brown. Each is exquisitely detailed, set firmly in history, and filled with personal reflections, unfurling in the beguiling manner of longer pieces in the New York Review of Books, where much of this book first appeared. The title essay describes Pinckney’s arrest for smoking marijuana “in the dark of Sixth Street” in Manhattan. Writing with understanding and skepticism, he examines the centurieslong “surveillance” of black people, Soul on Ice at 50, the black upper class, and the first Obama inaugural in ways that meander pleasingly between distant and highly personal. The lives of his “NAACP faithful” parents are touchstones, as are the careers and works of Langston Hughes, Richard Wright, Ralph Ellison, and Ta-Nehisi Coates, all considered here. The author first traveled to Europe in 1971, at age 17, and returned to live in Berlin for several years in the 1980s to escape America and racism. Of the 2016 election and the resurgence of white supremacy, he writes: “I mind this happening when I am getting too old to run from it. Shit, do not hit the fan.” Other essays tell the story of blacks in Russia, explore the recent revival of Baldwin’s work, and celebrate the art of Aretha Franklin, whose songs remain a soundtrack in Pinckney’s life.

A deeply satisfying, beautifully crafted collection of work by a writer of uncommon excellence and humanity.

Pub Date: Nov. 12, 2019

ISBN: 978-0-37-411744-3

Page Count: 416

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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