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LIKE WATER

A CULTURAL HISTORY OF BRUCE LEE

A thoughtful, well-informed consideration of the life and legacy of a trailblazing entertainer.

How a martial arts master rose to fame and bridged cultural divides.

Maeda, a professor of ethnic studies, adds to the already large body of popular and academic work on Bruce Lee (1940-1973), focusing on his subject’s emergence from, and efforts to harmonize, a multitude of Western and Eastern influences. This accessible study offers astute analyses of Lee’s early training in both martial arts and Cantonese opera, his development of a hybrid fighting style called Jeet Kune Do, his verbal and physical expressions of a distinct philosophy, and his keen navigation of both Chinese and American mass media. Maeda positions Lee’s career as a product of—and significant contributor to—long-evolving transnational exchanges across the Pacific, and he argues forcefully that his subject’s achievements in blending cultural traditions are worthy of celebration: “His peripatetic life and career contributed to the continuing entanglement of China and the United States across great distances, interweaving and unraveling structures involving nationalism, colonialism, race, and gender.” The author provides a clear sense of how Lee’s efforts to establish himself as an entertainer included a profound moral component. Initially cast by American directors in TV and film roles that reinforced Orientalist prejudices, Lee worked tirelessly to expand the identities available to Asian characters onscreen, creating myriad opportunities for other performers. Particularly compelling are Maeda’s discussions of how Lee’s physical dynamism and erotic appeal challenged stereotypes about Asian masculinity and how his political activism on behalf of Asian Americans aligned with the Black Power movement. The author’s use of academic frameworks is sometimes strained and unhelpful in framing Lee’s significance, but for the most part, the book provides lucid analysis of Lee’s lasting significance as the “first global icon to emerge from outside the West.”

A thoughtful, well-informed consideration of the life and legacy of a trailblazing entertainer.

Pub Date: Aug. 9, 2022

ISBN: 978-1-4798-1286-8

Page Count: 352

Publisher: New York Univ.

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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