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BAD MAN

An unreliable protagonist and a nebulous finale may put some off, but credit Auerbach for keeping readers on the edges of...

After a young man loses his little brother, he searches for him desperately while working as a stocker at a grocery store.

This nasty little slice of Southern gothic is Auerbach’s (Penpal, 2012) second novel, following his popular Reddit-fueled, self-published debut. This time, he lands at Doubleday’s horror-heavy Blumhouse Books imprint. A prologue finds Ben and his 3-year-old brother, Eric, in a grocery store in a desolate stretch of North Florida—and just as surely as he was there, Eric disappears. Five years later, Ben is a wreck, a heavy, slow adolescent who’s partially lame from a childhood accident. His father is largely absent, and his stepmother is crippled by grief. Out of desperation, Ben gets a job as a stocker at the very store where his brother vanished. What follows is a heady, puzzling, and oddly gripping exercise in depicting a small town as a macabre place filled with everyday horrors ranging from a child’s stuffed animal to a gruesome industrial accident. Ben is under the thumb of the shop’s cruel manager, Bill Palmer. He also has co-workers, a strange cast that includes his buddies Marty and Frank, the bakery’s misanthrope, Miss Beverly, and a cashier named Chelsea. Also keeping one eye on Ben is local policeman James Duchaine, whose motivations are hard to discern. Through it all, Ben remains buoyed by hope, about which Auerbach writes: “It doesn’t fix anything. It just numbs and reassures, until it can consume the desperate for the sake of its own brilliant incandescence. And as hope comforts us, it becomes easier and easier to forget that it too was in the jar that Pandora carried. It’s the one horror of the world that wasn’t loosed when she opened the lid. It’s the one horror that lives in us.”

An unreliable protagonist and a nebulous finale may put some off, but credit Auerbach for keeping readers on the edges of their seats for the whole ride.

Pub Date: Aug. 7, 2018

ISBN: 978-0-385-54292-0

Page Count: 320

Publisher: Blumhouse Books

Review Posted Online: May 14, 2018

Kirkus Reviews Issue: June 1, 2018

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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