by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi ‧ RELEASE DATE: Sept. 1, 2020
High-intensity, heartwarming, and, above all, hysterically funny.
All you need is love in this epic ninth installment in the saga of Dog Man and friends.
In important local news, comic creators George and Harold would like to announce that they “TOTALLY got FAMOUS!” before diving into their “next tale of depth and maturity.” And this story, more so than previous adventures, delivers on that promise. Things go wrong right from the outset, when Dog Man is fired from the police force after wreaking doggy havoc at an award ceremony (a poignant rendering of an especially relevant adult fear). Li’l Petey and 80-HD’s haphazard plan to turn their canine friend feline in order to get him rehired conveniently tumbles into a smashing subplot involving Grampa Pete’s latest dastardly plan to destroy the city. Li’l Petey finally reconciles his irrepressible optimism with his father’s stubborn shield of hatred, precipitating the aptly named “Love vs. Hate” final battle. Darker themes, such as parental abandonment and death, are also touched upon, creating the story’s most powerful and moving moments. Indeed, the story generally represents the Dog Man series at its best. Whether through nifty Star Wars references, time-honored slapstick, self-aware wordplay, or plain old wackiness, Pilkey’s comic genius is out in full force. Illustrations, from intimate single-character squares to full-page action blocks, are vivid and lively, and the expressiveness in the cartoon faces only augments the delightful text.
High-intensity, heartwarming, and, above all, hysterically funny. (“authors’ ” notes, art tutorials) (Graphic fantasy. 7-18)Pub Date: Sept. 1, 2020
ISBN: 978-1-338-53562-4
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: Sept. 14, 2020
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by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi & Wes Dzioba
by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi
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by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi & Wes Dzioba
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BOOK TO SCREEN
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: July 21, 2015
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
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by Soman Chainani ; illustrated by RaidesArt
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by Soman Chainani ; illustrated by Julia Iredale
by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
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