A cogent analysis of an urban-growth phenomenon that is rarely done well or equitably.
Universities have become powerful forces in shaping modern cities, writes urbanist Baldwin, and rarely for the better.
The author, founding director of the Smart Cities Lab at Trinity College, begins in a largely Black neighborhood bordering the University of Chicago, an area being steadily swallowed by the growing campus, a process symbolized by the quiet expropriation of a Bronzeville historical site, a “blues shrine” called the Checkerboard Lounge. “UChicago’s backdoor deal,” writes Baldwin, “resuscitated almost a century of local stories in which the school had either demolished Black neighborhoods or built institutional walls to keep Black residents away from campus.” The temptation to become large-scale property holders is great. As Baldwin notes, given declining student revenues and decreased state funding, colleges and universities are finding that “urban development is higher education’s latest economic growth strategy.” The results are usually harmful to the people, almost always economically disadvantaged minorities and small business owners, who actually live in the downtown areas that universities are turning into “UniverCities.” In the case of Phoenix, the state university built downtown residence high-rises for students, then promulgated the notion that downtown was dangerous, a prejudice that already existed: “students had largely grown up in the suburbs, so they equated the city with danger, even though the [suburban] Tempe campus had higher crime rates.” The same is true in other cities: Chicago, New York, New Haven, the list goes on. Only when campuses venture into privileged areas does their growth sometimes falter: Baldwin cites the expansion of NYU into Greenwich Village that came under scrutiny only when local resident Matthew Broderick opposed it—even though an 8-year-old girl made the better case when she “wondered aloud why college students were incapable of taking a subway for a class or two when she took the train to school every day.” No matter what the opposition, though, the author identifies and critiques a trend that seems unlikely to stop.
A cogent analysis of an urban-growth phenomenon that is rarely done well or equitably.Pub Date: March 30, 2021
ISBN: 978-1-56858-892-6
Page Count: 272
Publisher: Bold Type Books
Review Posted Online: Dec. 21, 2020
Kirkus Reviews Issue: Jan. 15, 2021
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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