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Ivy League Killers

Name: Ivy League Killers
Author: Dave Cherry

by Dave Cherry ‧ RELEASE DATE: N/A

Killers for hire make a surprisingly charming couple in this straightforward thriller.

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In Cherry’s (Sweep Rowing, 2014) novel, a young married couple share their love of rowing, spending time at the gun range, and handling contract killings for a covert organization.

Tom Martin was always a bright kid and managed to become a skilled oarsman by the time he made it into Princeton. But his life changes immeasurably when a bank robber who enjoys killing hostages murders his beloved foster father. After Tom successfully interrupts the robber’s subsequent heist, “the Group” makes contact to offer him a regular gig—contract proposals for assassinations. Tom reluctantly tells Emily, the love of his life, about his new job offer. Luckily, Emily’s interested in joining him, having already offed a rapist who victimized two of her friends. They squeeze contracts among their meals, marriage, and family visits. The novel can sometimes be playfully cynical, offsetting the characters’ lethal occupation. For example, after a hit, Emily lovingly tells Tom, “Well done sweetheart.” The tone, however, is generally earnest, and the back stories for the co-leads provide credible, sympathetic reasons for why they would commit murder. Similarly, Tom and Emily relentlessly analyze everything, from whether or not they should categorize themselves as serial killers to the possible consequences of denying a request from the Group. Their questioning of their actions so much makes the two seem like a typical couple and much less like cold killers. It’s even easy to forget the killings when there are constant reminders of the familiar, loving duo, like Emily repeatedly singsonging Tom’s name, “Taaaaum?” Cherry bolsters his tale with a bit of mystery: Emily finds evidence that suggests her father, retired cop Cal, is a murderer as well. And while most of the hits go off without a snag, later chapters add suspense when the stakes escalate and injuries occur. The book unfortunately ends a little too suddenly and feels more like a setup for a sequel than a resolution.

Killers for hire make a surprisingly charming couple in this straightforward thriller.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Dog Ear

Review Posted Online: Oct. 6, 2015

Review Program: Kirkus Indie

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THE MOST FUN WE EVER HAD

by Claire Lombardo ‧ RELEASE DATE: June 25, 2019

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

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Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

Categories:

LITERARY FICTION | FAMILY LIFE & FRIENDSHIP

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THEN SHE WAS GONE

by Lisa Jewell ‧ RELEASE DATE: April 24, 2018

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

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Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.