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SPREADIN' RHYTHM AROUND

BLACK POPULAR SONGWRITERS, 1880-1930

Jasen, an accomplished ragtime pianist and historian (Rags and Ragtime, 1978) and Jones, an actor and amateur jazz historian, offer an entertaining and thoughtful history of great but neglected African-American tunesmiths from the vaudeville and early jazz eras. In this highly intelligent and stylishly written volume, Jasen and Jones virtually recount the history of the pivotal era in American popular entertainment—from the minstrel show to the talkies and radio—through the lives and works of 27 black composers, producers, performers, and music publishers. Some of the names—Fats Waller, W.C. Handy, Bert Williams, Eubie Blake—will be familiar to a general readership, and a few others may ring a bell for buffs, but most have been lost in the murk to which too many black artists have been consigned by the racism of their era, ill luck, and the vagaries of passing time. Readers will be surprised to learn of James A. Bland, often called “the black Stephen Foster,” whose most famous composition is “Carry Me Back to Old Virginny,” or the wildly prolific Perry Bradford, whose discovery of Mamie Smith triggered the ’20s blues craze. More significantly, Jasen and Jones document the ways in which racism in the budding entertainment industry deprived many of these men (for they were all males) of the opportunity to join the ranks of the Gershwins, Kerns, and Porters in the pantheon of American song and, in some cases, cost them the most basic credit for their work. By focusing on these key but mostly forgotten figures, the authors have added an absolutely necessary chapter to the history of show business. Although it occasionally drifts into “and then he wrote . . .” cataloguing, this is for the most part an excellent study of neglected creators. (b&w photos, not seen)

Pub Date: Aug. 1, 1998

ISBN: 0-02-864742-4

Page Count: 460

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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