Two nonfiction baseball stories enclosed in one cover should be a winner for newly established readers who are baseball fanatics—unfortunately, it’s not. The first is a thin sketch of the life of The Babe, the Bambino, George Herman Ruth, bad boy turned national hero, a figure larger than life. Too thin, alas: The Babe was so outsized, so personable, so human, and not enough of that comes through in this. The second story is the sad tale of the fall of the Boston Red Sox after The Babe was sold to the hated New York Yankees. Following that fateful event, Boston was in decline for decades as New York was in ascendancy. It’s an exciting story, but Kelly’s writing is flat, dependent on exclamation points and forms of “to get” instead of strong, chewy verbs—lazy and inexcusable writing in a book meant for developing readers. Furthermore, even as the book appears on shelves it is outdated, making no mention of Barry Bonds or of the Red Sox’s ignominious defeat in 2008. Too bad. (Nonfiction. 6-9)
Pub Date: Feb. 24, 2009
ISBN: 978-0-375-85603-7
Page Count: 112
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2009
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Spinning lively invented details around skimpy historical records, Taylor profiles the 19th-century chef credited with inventing the potato chip. Crum, thought to be of mixed Native-American and African-American ancestry, was a lover of the outdoors, who turned cooking skills learned from a French hunter into a kitchen job at an upscale resort in New York state. As the story goes, he fried up the first batch of chips in a fit of pique after a diner complained that his French fries were cut too thickly. Morrison’s schoolroom, kitchen and restaurant scenes seem a little more integrated than would have been likely in the 1850s, but his sinuous figures slide through them with exaggerated elegance, adding a theatrical energy as delicious as the snack food they celebrate. The author leaves Crum presiding over a restaurant (also integrated) of his own, closes with a note separating fact from fiction and also lists her sources. (Picture book/nonfiction. 7-9)
Pub Date: April 1, 2006
ISBN: 1-58430-255-0
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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