A testament to essential humanity.
A young boy in the north of England wrestles with the repercussions of World War I.
John’s father is away at the front; his mother works in hazardous conditions at the munitions factory. When John’s classmate’s uncle, a conscientious objector and therefore outcast, agitates for peace, he is dragged off by the police, leaving behind only some drawings of German children. One escapes destruction by John’s classmates—a portrait of a boy called Jan that John secretly saves. Nudging the line between imagination and reality in classic Almond fashion, the deceptively simple third-person narrative describes how John and Jan meet in the dark woods and connect as children who simply long for peace. In scenes enhanced by Litchfield’s dreamy, haunting black-and-white illustrations, Almond effectively juxtaposes the contradictions of war: John’s warm, loving mother uses her hands both to make rose-hip jam for his bread and to build weapons that will kill other small boys just like him. This slim volume contains depths that adults will wish to explore with young readers, from allusions to “Bread and Roses” to the meaning of the white feathers used to shame pacifists but that the scorned Uncle Gordon proudly claims as things of beauty. The story offers rich material for considering the impact of war on those on the homefront as well as the toll rabid conformity and hatred of the Other takes.
A testament to essential humanity. (Historical fiction. 9-12)Pub Date: May 12, 2020
ISBN: 978-1-5362-0986-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth.
A nuanced novel about a neurodiverse preteen’s political and social awakening by a Pura Belpré Honor–winning author.
Sixth grader Emilia Rosa Torres sometimes has a hard time keeping up with schoolwork and concentrating on one thing at a time, but her software-developer mother and superinvolved abuelita help her keep on task. Days before her father’s return to their Atlanta suburb from his most recent deployment, her mother goes on a business trip, leaving the middle schooler to juggle his mood swings, her friend troubles, and her looming assignments all on her own. When a social studies project opens her eyes to injustices past and present, Emilia begins to find her voice and use it to make an impact on her community. Writing with sensitivity and respectful complexity, Cartaya tackles weighty issues, such as immigration, PTSD, and microaggressions, through the lens of a budding tinkerer and activist who has ADHD. The members of this Cuban American family don’t all practice the same religion, with Emilia’s Catholic grandmother faithfully attending Mass multiple times a week and the protagonist’s mother celebrating her culture’s Yoruba roots with Santería. Conversations on race and gender crop up through the narrative as Emilia’s grandmother likes to emphasize her family’s European heritage—Emilia can pass as white, with her fair complexion, light eyes and auburn hair. All of these larger issues are effortlessly woven in with skill and humor, as is the Spanish her family easily mixes with English.
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth. (author’s note) (Fiction. 9-12)Pub Date: Aug. 6, 2019
ISBN: 978-0-451-47972-3
Page Count: 336
Publisher: Kokila
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Entrancing and uplifting.
A small dog, the elderly woman who owns him, and a homeless girl come together to create a tale of serendipity.
Piper, almost 12, her parents, and her younger brother are at the bottom of a long slide toward homelessness. Finally in a family shelter, Piper finds that her newfound safety gives her the opportunity to reach out to someone who needs help even more. Jewel, mentally ill, lives in the park with her dog, Baby. Unwilling to leave her pet, and forbidden to enter the shelter with him, she struggles with the winter weather. Ree, also homeless and with a large dog, helps when she can, but after Jewel gets sick and is hospitalized, Baby’s taken to the animal shelter, and Ree can’t manage the complex issues alone. It’s Piper, using her best investigative skills, who figures out Jewel’s backstory. Still, she needs all the help of the shelter Firefly Girls troop that she joins to achieve her accomplishment: to raise enough money to provide Jewel and Baby with a secure, hopeful future and, maybe, with their kindness, to inspire a happier story for Ree. Told in the authentic alternating voices of loving child and loyal dog, this tale could easily slump into a syrupy melodrama, but Pyron lets her well-drawn characters earn their believable happy ending, step by challenging step, by reaching out and working together. Piper, her family, and Jewel present white; Pyron uses hair and naming convention, respectively, to cue Ree as black and Piper’s friend Gabriela as Latinx.
Entrancing and uplifting. (Fiction. 9-12)Pub Date: Aug. 13, 2019
ISBN: 978-0-06-283922-0
Page Count: 320
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: April 9, 2019
Kirkus Reviews Issue: May 1, 2019
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