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SOMETHING FOR NOTHING

Not nothing, but it could have really been something.

In Anthony's debut, a high-living 1970s aircraft salesman tries to clear his mounting debts by piloting heroin into California from Mexico.

The oil embargo of 1973-74 is especially devastating for Martin Anderson, bon vivant. Emboldened by profits, he's moved his family into an expensive Bay Area suburb and acquired expensive hobbies and baubles: cabin cruiser, racehorse, cabin in Tahoe, big Cadillac. Now he's not only overstretched financially, but his family life is souring, too. His junior-high daughter has been experimenting with pot; his 9-year-old son is sending baffling, aggressive typed notes to classmates: "JESUS HATES YOU." Martin is mired in ever deeper debt, and when his horse trainer, Val, offers a chance to have $40,000 forgiven and earn $5,000 a trip by making night flights as an amateur smuggler, he jumps. As anyone who's ever seen a ’70s detective show or read the scores of similar novels knows, this is a Doomed Idea, drug-dealing thugs being what they are. Things quickly devolve. A narcotics detective starts snooping around, enlisting Martin's aid in a supposedly unrelated case; then Martin accidentally estranges himself from his wife, and she takes off with the kids (the half that's NOT an accident has less to do with Martin's needs than with the plot's; it won't do to have Martin's innocent family around when the mayhem begins). Soon thereafter, Val and his wife are brutally murdered, Martin finds himself with a big cache of drug money and we're set up for a bloody denouement. Where this book exceeds the expectations of its formula is in the finesse and wit with which Anthony handles both the setting and the swaggering, self-absorbed but often likable protagonist—he captures the ethos of the '70s and the soul of sad-sack Martin admirably, and the links to our own time are compelling. But the plot seems contrived and familiar.

Not nothing, but it could have really been something.

Pub Date: June 7, 2011

ISBN: 978-1-61620-022-0

Page Count: 352

Publisher: Algonquin

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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