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ARMY OF GOD

JOSEPH KONY'S WAR IN CENTRAL AFRICA

There’s enough here to make concerned readers want to learn more about Kony, whose forces have dwindled even as he continues...

A graphic narrative illuminates the atrocities of Joseph Kony in Central Africa, yet the horror and the complexities of the story are a challenge for such a short work.

The figures themselves are staggering: By 2011, Kony and his Lord’s Resistance Army “had abducted at least 50,000 people and killed at least 12,000. No fewer than two million people in three countries had been displaced by Kony’s attacks.” Yet it took a viral video titled “Kony 2012” to stir massive public outrage, and even that was undermined when the head of the Invisible Children organization devoted to raising consciousness “cracked under the strain” of the attention. That provocative episode is given short shrift in the narrative, as is much else in a story of little more than 80 pages. Axe (War Is Boring, 2010, etc.) and Hamilton (Ray Bradbury's Fahrenheit 451: The Authorized Adaptation, 2009) don’t fully come to terms with Kony, though they do suggest the difficulty of such a challenge: “Dominated by its mysterious, volatile founder Joseph Kony and governed by a complex body of rules, customs and superstitions, the LRA is ostensibly a fundamentalist Christian religious movement, an army of God. In reality it bears no resemblance to Christian institutions elsewhere. Its methods are rape and pillage. Its major aim is to sustain itself.” The artistic rendering of rape and slaughter is as powerful as it is horrific, and the narrative hits hardest on an individual, human level in the chapter about a young girl, kidnapped by the LRA and forced into “marriage,” and the ongoing trauma after she was rescued at age 13.

There’s enough here to make concerned readers want to learn more about Kony, whose forces have dwindled even as he continues to elude capture, but the condensing of the graphic narrative falls short of the immensity of the barbarism.

Pub Date: March 12, 2013

ISBN: 978-1-61039-299-0

Page Count: 128

Publisher: PublicAffairs

Review Posted Online: Jan. 30, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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THE GREAT MORTALITY

AN INTIMATE HISTORY OF THE BLACK DEATH, THE MOST DEVASTATING PLAGUE OF ALL TIME

Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.

A ground-level illustration of how the plague ravaged Europe.

For his tenth book, science writer Kelly (Three on the Edge, 1999, etc.) delivers a cultural history of the Black Death based on accounts left by those who witnessed the greatest natural disaster in human history. Spawned somewhere on the steppes of Central Asia, the plague arrived in Europe in 1347, when a Genoese ship carried it to Sicily from a trading post on the Black Sea. Over the next four years, at a time when, as the author notes, “nothing moved faster than the fastest horse,” the disease spread through the entire continent. Eventually, it claimed 25 million lives, one third of the European population. A thermonuclear war would be an equivalent disaster by today's standards, Kelly avers. Much of the narrative depends on the reminiscences of monks, doctors, and other literate people who buried corpses or cared for the sick. As a result, the author has plenty of anecdotes. Common scenes include dogs and children running naked, dirty, and wild through the streets of an empty village, their masters and parents dead; Jews burnt at the stake, scapegoats in a paranoid Christian world; and physicians at the University of Paris consulting the stars to divine cures. These tales give the author opportunities to show Europeans—filthy, malnourished, living in densely packed cities—as easy targets for rats and their plague-bearing fleas. They also allow him to ramble. Kelly has a tendency to lose the trail of the disease in favor of tangents about this or that king, pope, or battle. He returns to his topic only when he shifts to a different country or city in a new chapter, giving the book a haphazard feel. Remarkably, the story ends on a hopeful note. After so many perished, Europe was forced to develop new forms of technology to make up for the labor shortage, laying the groundwork for the modern era.

Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.

Pub Date: Feb. 1, 2005

ISBN: 0-06-000692-7

Page Count: 384

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2005

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A FIRE STORY

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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