Makes stone sing.
Earth magazine contributor Williams (The Seattle Street-Smart Naturalist, 2005, etc.) explores the nexus of culture and geology in the human use of stone as a building material.
Stone speaks volumes with great beauty, the author avers. Having studied geology in college, Williams spent some years in the rapturous geologic landscape of Utah before moving to Boston. He was starved for his geologic fix until he realized that he was surrounded by stone. With giddy infectiousness, he launches into the cultural geology of various rock types. “The basic geologic story of brownstone is simple and appealing,” he writes, and he offers a satisfying explanation of brownstone’s rise to prominence during the 19th century. A handful of rocks get similar treatment. Williams explains why granite was the right stone for the Bunker Hill Monument, for example, and why Carrara marble was right for Michelangelo but wrong for the Standard Oil Company headquarters in Chicago. He does a yeoman’s job linking Robinson Jeffers’ love of stone to his poetry—its strong, supple metaphorical associations, its lasting value. (Readers will wish he had done the same for Robert Frost.) Williams’ range of interest is wide, encompassing the evolution of geologic theory, commercial quarrying techniques, the suitability of Coquina stone for building forts, Minnesota Gneiss’s comfortable marriage to Art Deco and the importance of Indiana limestone as a “holder of American memory,” thanks to its ubiquitous use in monuments and landmarks. Each line of inquiry coaxes out some expressive scientific, emotional or philosophical nugget from a piece of travertine, slate or, in one Pop Art extravaganza, a gas station made of petrified wood.
Makes stone sing.Pub Date: July 1, 2009
ISBN: 978-0-8027-1622-4
Page Count: 288
Publisher: Walker
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2009
An intriguing meditation on the nature of the universe and our attempts to understand it that should appeal to both...
Italian theoretical physicist Rovelli (General Relativity: The Most Beautiful of Theories, 2015, etc.) shares his thoughts on the broader scientific and philosophical implications of the great revolution that has taken place over the past century.
These seven lessons, which first appeared as articles in the Sunday supplement of the Italian newspaper Sole 24 Ore, are addressed to readers with little knowledge of physics. In less than 100 pages, the author, who teaches physics in both France and the United States, cogently covers the great accomplishments of the past and the open questions still baffling physicists today. In the first lesson, he focuses on Einstein's theory of general relativity. He describes Einstein's recognition that gravity "is not diffused through space [but] is that space itself" as "a stroke of pure genius." In the second lesson, Rovelli deals with the puzzling features of quantum physics that challenge our picture of reality. In the remaining sections, the author introduces the constant fluctuations of atoms, the granular nature of space, and more. "It is hardly surprising that there are more things in heaven and earth, dear reader, than have been dreamed of in our philosophy—or in our physics,” he writes. Rovelli also discusses the issues raised in loop quantum gravity, a theory that he co-developed. These issues lead to his extraordinary claim that the passage of time is not fundamental but rather derived from the granular nature of space. The author suggests that there have been two separate pathways throughout human history: mythology and the accumulation of knowledge through observation. He believes that scientists today share the same curiosity about nature exhibited by early man.
An intriguing meditation on the nature of the universe and our attempts to understand it that should appeal to both scientists and general readers.Pub Date: March 1, 2016
ISBN: 978-0-399-18441-3
Page Count: 96
Publisher: Riverhead
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
BOOK REVIEW
BOOK REVIEW
A magnificent account of a central reality of our times, incorporating deep scientific expertise, broad political and social knowledge, and ethical insight, and Idled with beautifully written biographical sketches of the men and women who created nuclear physics. Rhodes describes in detail the great scientific achievements that led up to the invention of the atomic bomb. Everything of importance is examined, from the discovery of the atomic nucleus and of nuclear fission to the emergence of quantum physics, the invention of the mass-spectroscope and of the cyclotron, the creation of such man-made elements as plutonium and tritium, and implementation of the nuclear chain reaction in uranium. Even more important, Rhodes shows how these achievements were thrust into the arms of the state, which culminated in the unfolding of the nuclear arms race. Often brilliantly, he records the rise of fascism and of anti-Semitism, and the intensification of nationalist ambitions. He traces the outbreak of WW II, which provoked a hysterical rivalry among nations to devise the bomb. This book contains a grim description of Japanese resistance, and of the horrible psychological numbing that caused an unparalleled tolerance for human suffering and destruction. Rhodes depicts the Faustian scale of the Manhattan Project. His account of the dropping of the bomb itself, and of the awful firebombing that prepared its way, is unforgettable. Although Rhodes' gallery of names and events is sometimes dizzying, his scientific discussions often daunting, he has written a book of great drama and sweep. A superb accomplishment.
Pub Date: Feb. 1, 1986
ISBN: 0684813785
Page Count: 932
Publisher: Simon & Schuster
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: Jan. 15, 1986
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