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DIVINE JUSTICE

Tighter than the writer’s most recent efforts, but far from spellbinding.

Baldacci (The Whole Truth, 2008, etc.) moves his recurring Camel Club characters far enough offstage to let tough guy hero Oliver Stone take on a mean mountain town singlehandedly (for a while, at least) in something of the fashion of Lee Child’s Jack Reacher.

The dark American hole in need of a flushing out is Divine, a tiny burg in Virginia’s far southwest coal country where quietly modest Vietnam hero Stone, né John Carr, has landed. It’s not where he was going. He had been getting the hell out of Washington, D.C., where heavy-handed, stonehearted, government forces were about to close in on him, but he couldn’t help stepping into an unfair fight brewing in his Amtrak coach. Handsome, youngish ex-high school quarterback Danny Riker was stupid enough to accuse knuckle draggers with whom he had been playing cards of cheating, leading to a knock down drag out in which Stone wasted all of the thugs and incurred the wrath of the Amtrak conductor, making it necessary for all involved to get off at the next stop. Stone takes Danny under his wing and Danny reluctantly takes Stone back home to Divine and his pretty mother Abby, owner of Divine’s best diner. Stone notes quickly that Divine has a gloss of prosperity very unlike the neighboring hellholes. That sheen doesn’t extend to the downtrodden miners whose hideous labors keep them gobbling methadone day after day. Where’s the money coming from? There is one other visible industry, a supermax prison run by the brother of the handsome, straight-shooting sheriff, but that doesn’t explain the prosperity. Stone begins to nose around the place, running up against numerous unsavory characters, saving lives when possible, getting mad when not, dodging the usual falling safes until his probing causes him to wake up buried alive in a dead coal mine. There is a dalliance with Abby, but the evil feds close in on Stone so it is necessary for his Camel Club cohorts to dig him out in the end.

Tighter than the writer’s most recent efforts, but far from spellbinding.

Pub Date: Nov. 4, 2008

ISBN: 978-0-446-19550-8

Page Count: 394

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2008

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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